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200 14$aThe eyes have it$b[electronic resource] $ecinema and the reality effect /$fMurray Pomerance
210   $aNew Brunswick, N.J. $cRutgers University Press$dc2013
215   $a1 online resource (279 p.)
225 0 $aTechniques of the Moving Image
225  0$aTechniques of the moving image
300   $aDescription based upon print version of record.
311   $a0-8135-6059-4 
320   $aIncludes bibliographical references and index.
327   $aVivid rivals -- The two of us -- Being there -- A fairy tale.
330   $aThe Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences-including The Wizard of Oz, Arizona Dream, and Signs-Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930's to the 2000's to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. "The Two of Us" considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting.
410  0$aTechniques of the Moving Image
606   $aRealism in motion pictures
615  0$aRealism in motion pictures.
676   $a791.43/612
700   $aPomerance$b Murray$f1946-$0883499
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801  1$bMiAaPQ
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906   $aBOOK
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996   $aThe eyes have it$93690320
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