LEADER 04164nam 22010215 450 001 9910788282403321 005 20230807210517.0 010 $a0-520-28463-1 024 7 $a10.1525/9780520960404 035 $a(CKB)2670000000617103 035 $a(EBL)1882102 035 $a(SSID)ssj0001482935 035 $a(PQKBManifestationID)12574674 035 $a(PQKBTitleCode)TC0001482935 035 $a(PQKBWorkID)11429323 035 $a(PQKB)10879561 035 $a(MiAaPQ)EBC1882102 035 $a(StDuBDS)EDZ0001280462 035 $a(OCoLC)909542264 035 $a(MdBmJHUP)muse47186 035 $a(DE-B1597)520178 035 $a(DE-B1597)9780520960404 035 $a(EXLCZ)992670000000617103 100 $a20200424h20152015 fg 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aSounds $eThe Ambient Humanities /$fJohn Mowitt 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2015] 210 4$dİ2015 215 $a1 online resource (473 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-28462-3 311 0 $a0-520-96040-8 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction: Squawking --$t1. Echo --$t2. Whistle --$t3. Whisper --$t4. Gasp --$t5. Silence --$t6. Tercer Sonido --$tNotes --$tWorks Cited --$tIndex 330 $aThis is not a book about sound. It is a study of sounds that aims to write the resonance and response they call for. John Mowitt seeks to critique existing models in the expanding field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds, not just readily classified examples such as speech, music, industrial sounds, or codified signals. Mowitt is particularly interested in the fact that beyond hearing and listening we "audit" sounds and do so by drawing on paradigms of thought not easily accommodated within the concept of "sound studies." To draw attention to the ways in which sounds often are not perceived for the social and political functions they serve, each chapter presents a culturally resonant sound-including a whistle, an echo, a gasp, and silence-to show how sounds enable critical social and political concepts such as dialogue, privacy, memory, social order, and art-making. Sounds: The Ambient Humanities significantly engages, provokes, and contributes to the dynamic field and inquiry of sound studies. 606 $aSounds$xPolitical aspects 606 $aSounds$xSociological aspects 606 $aSounds$xPsychological aspects 606 $aSound (Philosophy) 610 $aart making. 610 $aaudit sound. 610 $acodified signals. 610 $acultural studies. 610 $aculturally resonant sound. 610 $adialogue. 610 $aecho. 610 $aepistemology. 610 $afilm studies. 610 $agasp. 610 $ahumanistic approach. 610 $aindustrial sounds. 610 $ainterdisciplinary. 610 $aliterary studies. 610 $amedia studies. 610 $amemory. 610 $amusic studies. 610 $amusic. 610 $aparadigms of thought. 610 $apolitical intent. 610 $apolitical significance. 610 $aprivacy. 610 $aresonance. 610 $aresponse. 610 $asilence. 610 $asocial intent. 610 $asocial order. 610 $asound studies. 610 $asound. 610 $aspeech. 610 $astudy of sounds. 610 $atypes of sounds. 610 $awhistle. 615 0$aSounds$xPolitical aspects. 615 0$aSounds$xSociological aspects. 615 0$aSounds$xPsychological aspects. 615 0$aSound (Philosophy) 676 $a121.35 700 $aMowitt$b John$4aut$4http://id.loc.gov/vocabulary/relators/aut$01161073 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910788282403321 996 $aSounds$93711792 997 $aUNINA