LEADER 04218nam 2200745 450 001 9910788214803321 005 20200520144314.0 010 $a0-231-51234-1 024 7 $a10.7312/free14278 035 $a(CKB)3170000000065132 035 $a(SSID)ssj0000870456 035 $a(PQKBManifestationID)11454944 035 $a(PQKBTitleCode)TC0000870456 035 $a(PQKBWorkID)10818358 035 $a(PQKB)10067543 035 $a(MiAaPQ)EBC3029396 035 $a(DE-B1597)458868 035 $a(OCoLC)1013947215 035 $a(OCoLC)1029823381 035 $a(OCoLC)1032678316 035 $a(OCoLC)1037981591 035 $a(OCoLC)1041983635 035 $a(OCoLC)1046606500 035 $a(OCoLC)1047005556 035 $a(OCoLC)1049624450 035 $a(OCoLC)1054863576 035 $a(OCoLC)979742277 035 $a(DE-B1597)9780231512343 035 $a(Au-PeEL)EBL3029396 035 $a(CaPaEBR)ebr10976005 035 $a(CaONFJC)MIL853852 035 $a(OCoLC)607844518 035 $a(EXLCZ)993170000000065132 100 $a20141120h20122012 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aKlezmer America $eJewishness, ethnicity, modernity /$fJonathan Freedman 210 1$aNew York, New York :$cColumbia University Press,$d2012. 210 4$dİ2012 215 $a1 online resource (403 pages) $cillustrations 300 $aIncludes index. 311 $a0-231-14279-X 327 $tFrontmatter -- $tCONTENTS -- $tACKNOWLEDGMENTS -- $tINTRODUCTION -- $t1. Angels, Monsters and Jews -- $t2. Arthur Miller, Marilyn Monroe, and the Making of Ethnic Masculinity -- $t3. Antisemitism Without Jews -- $t4. The Human Stain of Race -- $t5. Conversos, Marranos, and Crypto- Latino -- $t6. Transgressions of a Model Minority -- $t7. Asians and Jews in Theory and Practice -- $tConclusion: The Klezmering of America -- $tNOTES -- $tINDEX 330 $aKlezmer is a continually evolving musical tradition that grows out of Eastern European Jewish culture, and its changes reflect Jews' interaction with other groups as well as their shifting relations to their own history. But what happens when, in the klezmer spirit, the performances that go into the making of Jewishness come into contact with those that build different forms of cultural identity? Jonathan Freedman argues that terms central to the Jewish experience in America, notions like "the immigrant," the "ethnic," and even the "model minority," have worked and continue to intertwine the Jewish-American with the experiences, histories, and imaginative productions of Latinos, Asians, African Americans, and gays and lesbians, among others. He traces these relationships in a number of arenas: the crossover between jazz and klezmer and its consequences in Philip Roth's The Human Stain; the relationship between Jewishness and queer identity in Tony Kushner's Angels in America; fictions concerning crypto-Jews in Cuba and the Mexican-American borderland; the connection between Jews and Christian apocalyptic narratives; stories of "new immigrants" by Bharathi Mukherjee, Gish Jen, Lan Samantha Chang, and Gary Shteyngart; and the revisionary relation of these authors to the classic Jewish American immigrant narratives of Henry Roth, Bernard Malamud, and Saul Bellow. By interrogating the fraught and multidimensional uses of Jews, Judaism, and Jewishness, Freedman deepens our understanding of ethnoracial complexities. 606 $aJews$zUnited States$xIntellectual life$y20th century 606 $aPopular culture$zUnited States$xHistory$y20th century 606 $aJews$zUnited States$xIdentity 606 $aJews$xCultural assimilation$zUnited States 607 $aUnited States$xIntellectual life$y20th century 615 0$aJews$xIntellectual life 615 0$aPopular culture$xHistory 615 0$aJews$xIdentity. 615 0$aJews$xCultural assimilation 676 $a973/.04924 700 $aFreedman$b Jonathan$f1954-$01496822 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788214803321 996 $aKlezmer America$93759599 997 $aUNINA