LEADER 02309nam 2200553 450 001 9910788144203321 005 20230807210224.0 035 $a(CKB)2670000000609764 035 $a(EBL)2030505 035 $a(SSID)ssj0001506315 035 $a(PQKBManifestationID)11909878 035 $a(PQKBTitleCode)TC0001506315 035 $a(PQKBWorkID)11490775 035 $a(PQKB)11193070 035 $a(MiAaPQ)EBC2030505 035 $a(Au-PeEL)EBL2030505 035 $a(CaPaEBR)ebr11045331 035 $a(CaONFJC)MIL769353 035 $a(OCoLC)909900090 035 $a(EXLCZ)992670000000609764 100 $a20150430h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aImpeccably dressed $ehow costume in Pepe-le-Moko constructs Jean Gabin as object of the Erotic Gaze 210 1$aGosport, [England] :$cChaplin Books,$d2015. 210 4$d©2015 215 $a1 online resource (29 p.) 225 0 $aShort Takes Film Studies Series 300 $aDescription based upon print version of record. 311 $a1-909183-84-9 327 $aCover; Contents; Front Matter; Title Page; Publisher Information; Short Takes; Impeccably Dressed; Additional Media; Illustrations; Back Matter; Bibliography; Filmography; Also Available 330 $aDoes Laura Mulvey's theory, that only women can be the object of the erotic gaze in cinema, still hold true if films that lie beyond mainstream Hollywood are examined? Through close analysis of the 1937 French film Pépé-le-Moko, this paper examines those aspects of the filmmakers' craft which influence the direction of the gaze - such as costume, cinematography/lighting, use of the body, and star persona. It demonstrates the way the film helped build on the Jean Gabin 'myth' through a fetish... 410 0$aShort Takes Film Studies 606 $aMotion pictures$xProduction and direction 606 $aCinematography 615 0$aMotion pictures$xProduction and direction. 615 0$aCinematography. 676 $a791.430232 700 $aField$b Amanda J. $01566526 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788144203321 996 $aImpeccably dressed$93837131 997 $aUNINA