LEADER 02435nam 2200577 450 001 9910788144103321 005 20230807210204.0 035 $a(CKB)2670000000609767 035 $a(EBL)2030512 035 $a(SSID)ssj0001508283 035 $a(PQKBManifestationID)11904554 035 $a(PQKBTitleCode)TC0001508283 035 $a(PQKBWorkID)11502987 035 $a(PQKB)10485314 035 $a(MiAaPQ)EBC2030512 035 $a(Au-PeEL)EBL2030512 035 $a(CaPaEBR)ebr11045330 035 $a(CaONFJC)MIL769357 035 $a(OCoLC)909900089 035 $a(EXLCZ)992670000000609767 100 $a20150501h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNext Train's Gone! $eWill Hay : an alternative view of British National identity 210 1$aGosport, [England] :$cChaplin Books,$d2015. 210 4$dİ2015 215 $a1 online resource (29 p.) 225 0 $aShort Takes Film Studies Series ;$vBook 2 300 $aDescription based upon print version of record. 311 $a1-909183-80-6 320 $aIncludes bibliographical references. 320 $aIncludes filmography. 327 $aCover; Contents; Front Matter; Title Page; Publisher Information; Next Train's Gone!; Will Hay: An Alternative View of British National Identity; Additional Media; Illustrations; Back Matter; Bibliography; Filmography; Also Available 330 $aIn the 1930s, British film producers and critics championed the idea of 'quality' pictures - thoughtful, intelligent films that would project a particular and positive view of Britain. The result was to drive a wedge between 'national' cinema (which reflected middle-class values) and 'popular' cinema (which reflected the working-class values of the majority of cinema audiences). 'Popular' became a term of abuse, particularly directed at comedies, whose roots often lay in music-hall. A very d... 410 0$aShort Takes Film Studies 606 $aMotion pictures$xProduction and direction 606 $aCinematography 615 0$aMotion pictures$xProduction and direction. 615 0$aCinematography. 676 $a791.430232 700 $aField$b Amanda J. $01566526 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788144103321 996 $aNext Train's Gone$93837130 997 $aUNINA