LEADER 01988nam 2200445 n 450 001 996384957403316 005 20200824121124.0 035 $a(CKB)4940000000070466 035 $a(EEBO)2240941828 035 $a(UnM)99853257e 035 $a(UnM)99853257 035 $a(EXLCZ)994940000000070466 100 $a19920609d1632 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe Swedish intelligencer$hThe first part$b[electronic resource] $eWherein, out of the truest and choysest informations, are the famous actions of that warlike prince historically led along: from his Majesties first entring into the Empire, vntill his great victory over the Generall Tilly, at the Battell of Leipsich. The times and places of every action being so sufficiently observed and described; that the reader may finde both truth and reason in it 205 $aNow the third time, revised, corrected, and augmented. 210 $aLondon $cPrinted [by John Dawson] for Nath: Butter and Nicholas Bourne$d1632 215 $a[16], 124, 121-128, [4] p. $cport. (metal cut) 300 $aBy William Watts. 300 $aPrinter's name from STC. 300 $aThe engraved portrait of Gustav II Adolf is signed: Ge· Mountin sculpsit. 300 $aIncludes index. 300 $aThe first two quires are reimposed from STC 23522. 300 $aQuire 2I² , bound after quire I, appears to have been printed as part of quire S. 300 $aReproduction of the original in the Henry E. Huntington Library and Art Gallery. 330 $aeebo-0113 606 $aThirty Years' War, 1618-1648$vEarly works to 1800 615 0$aThirty Years' War, 1618-1648 700 $aWatts$b William$f1590?-1649.$01001521 702 $aMountain$b Gerard 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bUk-ES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996384957403316 996 $aThe Swedish intelligencer$92325030 997 $aUNISA LEADER 03748nam 2200697 450 001 9910788087403321 005 20230803200044.0 010 $a94-012-1111-6 024 7 $a10.1163/9789401211116 035 $a(CKB)2670000000578289 035 $a(EBL)1732472 035 $a(SSID)ssj0001435803 035 $a(PQKBManifestationID)11853493 035 $a(PQKBTitleCode)TC0001435803 035 $a(PQKBWorkID)11434464 035 $a(PQKB)11251539 035 $a(MiAaPQ)EBC1732472 035 $a(OCoLC)897069604$z(OCoLC)994351968 035 $a(nllekb)BRILL9789401211116 035 $a(Au-PeEL)EBL1732472 035 $a(CaPaEBR)ebr10992225 035 $a(CaONFJC)MIL665223 035 $a(OCoLC)897069604 035 $a(EXLCZ)992670000000578289 100 $a20141219h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPointed encounters $edance in post-Culloden Scottish literature /$fAnne McKee Stapleton 210 1$aNew York ;$aAmsterdam, Netherlands :$cRodopi,$d2014. 210 4$d©2014 215 $a1 online resource (219 p.) 225 1 $aScottish Cultural Review of Language and Literature ;$vVolume 23 300 $aDescription based upon print version of record. 311 $a90-420-3869-1 311 $a1-322-33941-4 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Acknowledgements -- Introduction -- The Strathspey as National Expression in Eighteenth-Century Song and Poetry -- Masterful Narratives: Policing the Public Body and Positioning the Practice of National Dance -- Choreographing Character, 1814-1815: The New Scottish Novels of Walter Scott and Christian Isobel Johnstone -- Unauthorised Women in Scottish Novels, 1814-1824: Social Dance, Fictional Outings, and National Concerns -- Epilogue -- Bibliography -- Index -- 18th- and 19th-century scottish literature. 330 $aPointed Encounters establishes the literary significance of representations of dance in poetry, song, dance manuals, and fiction written between 1750 and 1830. Presenting original readings of canonical texts and fresh readings of neglected but significant literary works, this book traces the complicated role of social dancing in Scottish culture and identifies the hitherto unexplored motif of dance as an outwardly conforming, yet covertly subversive, expression of Scottish identity during the period. The volume draws upon diverse yet mutually revealing texts, from traditional dance and music to Sir Walter Scott and contemporary Scottish women novelists, to offer students and scholars of Scottish and English literature a fresh insight into the socio-cultural context of the British state after 1746. 410 0$aScottish cultural review of language and literature ;$vVolume 23. 606 $aScottish literature$y18th century$xHistory and criticism 606 $aCollective memory$zScotland$y19th century 606 $aFolk dancing, Scottish$zScotland$xIn literature$y18th century$xHistory and criticism 606 $aCollective memory$zScotland$y18th century 606 $aScottish literature$y19th century$xHistory and criticism 615 0$aScottish literature$xHistory and criticism. 615 0$aCollective memory 615 0$aFolk dancing, Scottish$xIn literature$xHistory and criticism. 615 0$aCollective memory 615 0$aScottish literature$xHistory and criticism. 676 $a820.994109033 700 $aStapleton$b Anne McKee$01535180 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788087403321 996 $aPointed encounters$93783203 997 $aUNINA