LEADER 03790nam 22007332 450 001 9910788024803321 005 20160809162017.0 010 $a1-4744-1536-9 010 $a1-4744-0641-6 010 $a0-7486-9548-6 024 7 $a10.1515/9780748695485 035 $a(CKB)2670000000596010 035 $a(EBL)1961814 035 $a(SSID)ssj0001421627 035 $a(PQKBManifestationID)12629344 035 $a(PQKBTitleCode)TC0001421627 035 $a(PQKBWorkID)11424469 035 $a(PQKB)11594857 035 $a(UkCbUP)CR9780748695485 035 $a(StDuBDS)EDZ0001111040 035 $a(MiAaPQ)EBC1961814 035 $a(DE-B1597)615162 035 $a(DE-B1597)9780748695485 035 $a(OCoLC)1301549834 035 $a(EXLCZ)992670000000596010 100 $a20150518d2014|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSpecial affects $ecinema, animation and the translation of consumer culture /$fEric S. Jenkins$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2014. 215 $a1 online resource (234 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 08 Aug 2016). 311 $a0-7486-9547-8 311 $a1-322-98097-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Astonishment and the fantastic in live-action cinema -- Say cheese! The cinematic lifestyle consumer -- Animation's marvel and the graphic narrative mode -- Of mice and mimesis: the wondrous spark of Disney -- Mutual affection-images and daydreaming consumers -- The Disney version of the American dream -- Walt and Wall-E in control society. 330 $aThe emergence of these media enables new modes of perception that create 'special' sensations of wonder, astonishment, marvel and the fantastic. Such affections subsequently become mined by consumer industries for profit, thereby explaining the connection between media and consumerism that today seems inherent to the culture industry. Such modes and their affections are also translated into ideology, as American culture seeks to make sense of the sociocultural changes accompanying these new media, particularly as specific versions of American Dream narratives. Special Affects is the first extended exploration of the connection between media and consumerism, and the first book to extensively apply Deleuzian film theory to animation. Its exploration of the connection between the animated form and consumerism, and its re-examination of twentieth-century animation from the perspective of affect, makes this an engaging and essential read for film-philosophy scholars and students. 606 $aMotion pictures$xEconomic aspects$zUnited States 606 $aAnimated films$xEconomic aspects$zUnited States 606 $aMotion pictures$xSocial aspects$zUnited States 606 $aAnimated films$xSocial aspects$zUnited States 606 $aConsumption (Economics) 606 $aAffect (Psychology) 606 $aPopular culture$zUnited States 607 $aUnited States$2fast 608 $aCriticism, interpretation, etc.$2fast 615 0$aMotion pictures$xEconomic aspects 615 0$aAnimated films$xEconomic aspects 615 0$aMotion pictures$xSocial aspects 615 0$aAnimated films$xSocial aspects 615 0$aConsumption (Economics) 615 0$aAffect (Psychology) 615 0$aPopular culture 676 $a384/.830973 700 $aJenkins$b Eric S.$01558825 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910788024803321 996 $aSpecial affects$93823551 997 $aUNINA