LEADER 04127nam 2200745 450 001 9910787987603321 005 20230306052225.0 010 $a1-4426-6748-6 010 $a1-4426-6747-8 024 7 $a10.3138/9781442667471 035 $a(CKB)2670000000545810 035 $a(EBL)3291043 035 $a(SSID)ssj0001130232 035 $a(PQKBManifestationID)12456795 035 $a(PQKBTitleCode)TC0001130232 035 $a(PQKBWorkID)11085474 035 $a(PQKB)11347238 035 $a(CEL)447188 035 $a(OCoLC)872601453 035 $a(CaBNVSL)slc00234081 035 $a(MiAaPQ)EBC3291043 035 $a(MiAaPQ)EBC4669935 035 $a(DE-B1597)465448 035 $a(OCoLC)870181162 035 $a(DE-B1597)9781442667471 035 $a(Au-PeEL)EBL4669935 035 $a(CaPaEBR)ebr11256449 035 $a(MdBmJHUP)musev2_106458 035 $a(EXLCZ)992670000000545810 100 $a20160913h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFair copies $ereproducing the English lyric from Tottel to Shakespeare /$fMatthew Zarnowiecki 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2014. 210 4$dİ2014 215 $a1 online resource (248 p.) 311 $a1-4426-4718-3 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- 1 The "vnquiet state" of the Lover: Richard Tottel's Lyric and Legal Reproductions -- 2 "Nedelesse Singularitie": George Gascoigne's Strategies for Preserving Lyric Delight -- 3 Solitude, Poetic Community, and Lyric Recording in Spenser's Shepheardes Calender and Colin Clovts Come home againe -- 4 Lyric Surrogacy: Reproducing the "I" in Sidney's Arcadia -- 5 "All Men Make Faults": Begetting Error in Shak-speares Sonnets -- Coda: The End of Shake-speares Sonnets. 330 8 $aAnnotation$bIn the latter half of the sixteenth century, English poets and printers experimented widely with a new literary format, the printed collection of lyric poetry. They not only investigated the possibilities of working with a new medium, but also wrote metaphors of human reproduction directly into their works. In Fair Copies, Matthew Zarnowiecki argues that poetic production was re-envisioned during this period, which was rife with models of copying and imitation, to include reproduction as one of its inherent attributes. Tracing the development of the English lyric during this crucial period, Fair Copies incorporates a diverse range of cultural productions and reproductions - from key poetic texts by Shakespeare, Sidney, Spenser, Gascoigne, and Tottel to legal breviaries, visual representations of song, midwives' manuals, and commonplace books. Also included are fifteen facsimile reproductions of poems in early printed books, with explanations and discussions of their importance. Calling upon these diverse sources, and examining lyric poems in their earliest manuscript and printed contexts, Zarnowiecki develops a new, reproductively centred method of reading early modern English lyric poetry. 606 $aEnglish poetry$yEarly modern, 1500-1700$xCriticism, Textual 606 $aEnglish poetry$yEarly modern, 1500-1700$xManuscripts 606 $aLyric poetry$xHistory and criticism 606 $aTransmission of texts$zEngland$xHistory$y16th century 606 $aPrinting$zEngland$xHistory$y16th century 606 $aEarly printed books$zEngland$y16th century 607 $aEngland$xIntellectual life$y16th century 615 0$aEnglish poetry$xCriticism, Textual. 615 0$aEnglish poetry$xManuscripts. 615 0$aLyric poetry$xHistory and criticism. 615 0$aTransmission of texts$xHistory 615 0$aPrinting$xHistory 615 0$aEarly printed books 676 $a821/.040903 700 $aZarnowiecki$b Matthew$f1975-$01550062 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787987603321 996 $aFair copies$93808621 997 $aUNINA