LEADER 01059nam a22002531i 4500 001 991002269199707536 005 20040225141057.0 008 040407s2002 sz a||||||||||||||||fre 035 $ab12896895-39ule_inst 035 $aARCHE-087651$9ExL 040 $aDip.to Filologia Class. e Scienze Filosofiche$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a627 100 1 $aReynard, Denis$0486380 245 10$aHistoires d'eau :$bbisses et irrigation en Valais au 15. siècle /$cDenis Reynard 260 $aLausanne :$bUniversité de Lausanne, Section d'histoire, Faculté des lettres,$c2002 300 $a252 p. :$bill. ;$c22 cm 440 0$aCahiers lausannois d'histoire médiévale ;$v30 650 4$aIrrigazione$xValais$ySec. 15. 907 $a.b12896895$b02-04-14$c16-04-04 912 $a991002269199707536 945 $aLE007 940 REY 01.01$g1$i2007000072264$lle007$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i13461680$z16-04-04 996 $aHistoires d'eau$9305050 997 $aUNISALENTO 998 $ale007$b16-04-04$cm$da $e-$ffre$gsz $h0$i1 LEADER 04819nam 2200781 450 001 9910787798003321 005 20230104203058.0 010 $a3-86596-762-0 035 $a(CKB)2670000000423606 035 $a(EBL)3033726 035 $a(OCoLC)923692332 035 $a(SSID)ssj0001052956 035 $a(PQKBManifestationID)12459978 035 $a(PQKBTitleCode)TC0001052956 035 $a(PQKBWorkID)11083605 035 $a(PQKB)10960968 035 $a(MiAaPQ)EBC3033726 035 $a(Au-PeEL)EBL3033726 035 $a(CaPaEBR)ebr10759167 035 $a(CaONFJC)MIL989608 035 $a5f283a7f-3724-4277-b7e6-7b8ab0dd2d03 035 $a(EXLCZ)992670000000423606 100 $a20091218h20102010 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSlavery in art and literature $eapproaches to trauma, memory, and visuality /$fBirgit Haehnel, Melanie Ulz, eds 210 1$aBerlin :$cFrank & Timme,$d[2010] 210 4$d©2010 215 $a1 online resource (352 p.) 225 1 $aKulturwissenschaften,$x1862-6092 ;$vBand 6 300 $aBased on an international conference held Oct. 26, 2006 at the Centre for Postcolonial and Gender Studies, University of Trier. 311 $a3-86596-243-2 320 $aIncludes bibliographical references. 327 $a""Acknowledgements""; ""Slavery, Trauma and Visual Representation""; ""Sklaverei, Trauma und Bildlichkeit""; ""Slavery in Art and Literature""; ""Sklaverei in Kunst und Literatur""; ""Trauma, Narrative and the Art of Witnessing""; ""On and Beyond the Colour Line""; ""Traces of Traumatisation in the Visual Arts""; ""The Black Code""; ""The Guilty Ship""; ""Reflecting Slavery in Design: Towards a Contemporary View*""; ""Trauma and Victory; Absence and Memory in Haitian Art""; ""The Theme of Slavery in Contemporary Cuban Art""; ""To Be Looked At"" 330 $aLong description: Slavery, both in its historical and modern forms, continues to be a matter of undiminished political and social relevance. This is mirrored by an increasing interest in scholarly research as well as by critical statements from within the field of contemporary art. The present volume is designed to bring together artists and scholars from various fields of study discussing trauma and visuality, or more precisely, memory and denial of traumatic history within visual discourses. The purpose of this project is to put the phenomenon of contemporary art production dealing with the issue of slavery into a wider, interdisciplinary and transcultural context. The book covers current case studies focusing on different media and including visual, literary and performative approaches of dealing with the history of slavery in West-African, American and European cultures. 330 $aBiographical note: Birgit Haehnel (Ph.D., University of Trier, 2004) lives as an independent scholar of art history in Vienna. She is the author of Regelwerk und Umgestaltung. Der Nomadismusdiskurs in der Kunst nach 1945 (2007). She has published extensively on contemporary art and on art of the 17th, 19th and 20th centuries with a special focus on gender and post-colonialism. Melanie Ulz (Ph.D., University of Trier, 2005) is an art historian and lives in Berlin. She is the author of Auf dem Schlachtfeld des Empire. Männlichkeitskonzepte in der Bildproduktion zu Napoleons Ägyptenfeldzug (Marburg, 2008). She has published on art and visual culture of the 18th, 19th and 20th centuries with a focus on gender and postcolonial theory. 410 0$aKulturwissenschaften (Berlin, Germany) ;$vBd. 6. 606 $aSlavery in art$vCongresses 606 $aArt, Modern$vCongresses 606 $aPsychic trauma in art$vCongresses 606 $aCollective memory in art$vCongresses 606 $aVisual communication in art$vCongresses 606 $aLiterature, Modern$xBlack authors$xHistory and criticism$vCongresses 606 $aSlavery in literature$vCongresses 606 $aPsychic trauma in literature$vCongresses 606 $aCollective memory in literature$vCongresses 615 0$aSlavery in art 615 0$aArt, Modern 615 0$aPsychic trauma in art 615 0$aCollective memory in art 615 0$aVisual communication in art 615 0$aLiterature, Modern$xBlack authors$xHistory and criticism 615 0$aSlavery in literature 615 0$aPsychic trauma in literature 615 0$aCollective memory in literature 676 $a704.9/49326 701 $aHaehnel$b Birgit$01501962 701 $aUlz$b Melanie$01501963 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787798003321 996 $aSlavery in art and literature$93729406 997 $aUNINA