LEADER 04483nam 2200709 450 001 9910787760803321 005 20230803032001.0 010 $a3-11-029204-1 024 7 $a10.1515/9783110292046 035 $a(CKB)2670000000494749 035 $a(EBL)1130408 035 $a(OCoLC)862938399 035 $a(SSID)ssj0001041642 035 $a(PQKBManifestationID)11577324 035 $a(PQKBTitleCode)TC0001041642 035 $a(PQKBWorkID)11010182 035 $a(PQKB)10343956 035 $a(MiAaPQ)EBC1130408 035 $a(DE-B1597)177654 035 $a(OCoLC)862745797 035 $a(OCoLC)881296222 035 $a(DE-B1597)9783110292046 035 $a(Au-PeEL)EBL1130408 035 $a(CaPaEBR)ebr10811322 035 $a(CaONFJC)MIL805881 035 $a(EXLCZ)992670000000494749 100 $a20130905h20132013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aTouching and being touched $ekinesthesia and empathy in dance and movement /$fedited by Gabriele Brandstetter, Gerko Egert, Sabine Zubarik 210 1$aBerlin ;$aBoston :$cDe Gruyter Mouton,$d[2013] 210 4$dİ2013 215 $a1 online resource (332 p.) 300 $aDescription based upon print version of record. 311 0 $a3-11-029186-X 320 $aIncludes bibliographical references. 327 $tFront matter --$tTable of Contents --$tIntroduction --$tTouching and Being Touched --$tI. Touch --$tRühren, Berühren, Aufruhr /$rNancy, Jean-Luc --$tFigure, Plasticity, Affect /$rLargier, Niklaus --$tJust Like That /$rManning, Erin / Massumi, Brian --$tMovements of Touch in MAYBE FOREVER /$rEgert, Gerko --$tCold Burn (Teion Yakedo) /$rMezur, Katherine --$tThe Fault Lines of Touching /$rKruschkova, Krassimira --$tII. Kinesthesia --$tOn 'Inner Touch' and the Moving Body /$rPaterson, Mark --$tChoreographies With and Without a Choreographer /$rLandweer, Hilge --$t"Listening" /$rBrandstetter, Gabriele --$tDo You Feel the Same Way Too? /$rJola, Corinne --$tEmpathy, Contagion and Affect /$rReynolds, Dee --$tIII. Empathy --$tAffective Modulations in Politics, Theory and Art /$rAngerer, Marie-Luise --$tIs the Movement of the Filmic Image a Sign of Vitality? /$rCurtis, Robin --$tFeeling In and Out /$rAlbright, Ann Cooper --$t"Touch Me If You Can" /$rZubarik, Sabine --$tLost and Found in Interpretation /$rChatzimasoura, Kornilia --$tDancing Tango /$rAbadi, Sonia --$tNotes on Contributors 330 $aTouch is a fundamental element of dance. The (time) forms and contact zones of touch are means of expression both of self-reflexivity and the interaction of the dancers. Liberties and limits, creative possibilities and taboos of touch convey insights into the 'aisthesis' of the different forms of dance: into their dynamics and communicative structure, as well as into the production and regulation of affects. Touching and Being Touched assembles seventeen interdisciplinary papers focusing on the question of how forms and practices of touch are connected with the evocation of feelings. Are these feelings evoked in different ways in tango, Contact improvisation, European and Japanese contemporary dance? The contributors to this volume (dance, literature, and film scholars as well as philosophers and neuroscientists) provide in-depth discussions of the modes of transfer between touch and being touched. Drawing on the assumptions of various theories of body, emotion, and senses, how can we interpret the processes of tactile touch and of being touched emotionally? Is there a specific spectrum of emotions activated during these processes (within both the spectator and the dancer)? How can the relationship of movement, touch, and emotion be analyzed in relation to kinesthesia and empathy? 606 $aDance$xPhysiological aspects 606 $aMuscular sense 606 $aTouch$xPhysiological aspects 610 $aDance. 610 $aemotion. 610 $amovement. 615 0$aDance$xPhysiological aspects. 615 0$aMuscular sense. 615 0$aTouch$xPhysiological aspects. 676 $a152.1/82 686 $aAP 81800$2rvk 701 $aEgert$b Gerko$01481823 701 $aZubarik$b Sabine$01481824 702 $aBrandstetter$b Gabriele 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787760803321 996 $aTouching and being touched$93699064 997 $aUNINA LEADER 02554nam 2200637 a 450 001 9910781428203321 005 20230725054235.0 010 $a1-280-49360-7 010 $a9786613588838 010 $a1-86189-958-0 035 $a(CKB)2550000000070984 035 $a(EBL)811346 035 $a(OCoLC)767502727 035 $a(SSID)ssj0000632064 035 $a(PQKBManifestationID)12275352 035 $a(PQKBTitleCode)TC0000632064 035 $a(PQKBWorkID)10609820 035 $a(PQKB)10686115 035 $a(MiAaPQ)EBC811346 035 $a(Au-PeEL)EBL811346 035 $a(CaPaEBR)ebr10520510 035 $a(CaONFJC)MIL358883 035 $a(EXLCZ)992550000000070984 100 $a20120113d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aApple$b[electronic resource] $ea global history /$fErika Janik 210 $aLondon $cReaktion Books$d2011 215 $a1 online resource (134 p.) 225 1 $aThe edible series 300 $aDescription based upon print version of record. 311 $a1-86189-848-7 320 $aIncludes bibliographical references and index. 327 $aCover; Imprint page; Contents; Introduction; 1. From Almaty to America; 2. Food of Legend; 3. Cider; 4. Wholesome Apple; 5. Global Apple; Picking the Perfect Apple; Recipes; Select Bibliography; Websites and Associations; Acknowledgements; Photo Acknowledgements; Index 330 $aGravenstein. Coe's Golden Drop. Mendocino Cox. The names sound like something from the imagination of Tolkien or perhaps the ingredients in a dubious magical potion rather than what they are-varieties of apples. But as befits their enchanting names, apples have transfixed and beguiled humans for thousands of years. Apple: A Global History explores the cultural and culinary importance of a fruit born in the mountains of Kazakhstan that has since traversed the globe to become a favorite almost everywhere. 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