LEADER 03723oam 2200721I 450 001 9910787722303321 005 20230803032234.0 010 $a1-317-82768-6 010 $a1-315-82204-0 010 $a1-317-82769-4 024 7 $a10.4324/9781315822044 035 $a(CKB)2670000000518821 035 $a(EBL)1619303 035 $a(SSID)ssj0001108069 035 $a(PQKBManifestationID)12528584 035 $a(PQKBTitleCode)TC0001108069 035 $a(PQKBWorkID)11086726 035 $a(PQKB)10258505 035 $a(OCoLC)874173351 035 $a(MiAaPQ)EBC1619303 035 $a(Au-PeEL)EBL1619303 035 $a(CaPaEBR)ebr10836803 035 $a(CaONFJC)MIL573325 035 $a(OCoLC)870227589 035 $a(OCoLC)897460940 035 $a(FINmELB)ELB138081 035 $a(EXLCZ)992670000000518821 100 $a20180706e20132003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDeleuze on music, painting, and the arts /$fRonald Bogue 210 1$aOxon [England] :$cRoutledge,$d2013. 215 $a1 online resource (234 p.) 225 1 $aDeleuze and the Arts 300 $aFirst published 2003 by Routledge. 311 $a0-415-96608-6 311 $a0-415-96607-8 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Dedication; Contents; Abbreviations; Introduction; Part I: Music; Chapter One MUSICA NATURANS: DETERRITORIALIZING THE REFRAIN; Music and Cosmos in Antiquity; Rhythm and the Refrain; From Milieus to Territories; Messiaen and the Composition of Time; The Music of the Birds; Chapter Two MUSIC IN TIME: HISTORY AND BECOMING; Becoming-Woman, Becoming-Child; Transverse Becomings of Musical Invention; Classical Form, Romantic Variation; The Problem of the People; Vare?se and the Modern Sound Machine; Cosmic People and the History of Discernibility 327 $aChapter Three NATURA MUSICANS: TERRITORY AND THE REFRAINEthology and Territoriality; Von Uexku?ll and Musical Milieus; Ruyer and the Melodies of Developmental Biology; Structural Coupling and Natural Drift; Function and Aesthetics; The Autonomous Refrain; Part II: Painting; Chapter Four FACES; Hand and Mouth, Tool and Face; Regimes of Signs and the Faces of Power; White Wall, Black Hole; The Abstract Machine of Faciality; The Face and the Gaze; From the Gaze to the Face; Deterritorializing the Face; Primitive Heads, Christ-Face, Probe Heads; Chapter Five FORCES; The Figural 327 $aSystole and DiastoleThe Brutality of Fact; Forces; Chapter Six COLOR; Analogical Modulation; Haptic and Optic; Ground and Foundation; Excursus on the Gothic Line; Haptic Colorism; Analogue Diagrammatic Modulation; Part III: The Arts; Chapter Seven SENSATION AND THE PLANE OF COMPOSITION; Sensation; Plane of Immanence, Plane of Composition; Virtual and Possible; Conclusion; Specific Domains; Elective Affinities; Notes; Works Cited; Index 330 $aFirst published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. 410 0$aDeleuze and the Arts 606 $aAesthetics, Modern$y20th century 606 $aMusic$xPhilosophy and aesthetics 606 $aPainting$xPhilosophy 606 $aArts$xPhilosophy 615 0$aAesthetics, Modern 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aPainting$xPhilosophy. 615 0$aArts$xPhilosophy. 676 $a700.1 700 $aBogue$b Ronald$f1948-,$0686460 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787722303321 996 $aDeleuze on music, painting, and the arts$93724430 997 $aUNINA