LEADER 03358nam 2200697 450 001 9910787719603321 005 20230629171952.0 010 $a0-231-53652-6 024 7 $a10.7312/gemn16678 035 $a(CKB)2670000000518466 035 $a(EBL)1603596 035 $a(SSID)ssj0001111663 035 $a(PQKBManifestationID)11658687 035 $a(PQKBTitleCode)TC0001111663 035 $a(PQKBWorkID)11131445 035 $a(PQKB)11545913 035 $a(DE-B1597)458329 035 $a(OCoLC)960204269 035 $a(OCoLC)984681996 035 $a(DE-B1597)9780231536523 035 $a(Au-PeEL)EBL1603596 035 $a(CaPaEBR)ebr10956813 035 $a(CaONFJC)MIL574655 035 $a(OCoLC)869641461 035 $a(MiAaPQ)EBC1603596 035 $a(EXLCZ)992670000000518466 100 $a20141029h20142014 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aContinental strangers $eGerman exile cinema, 1933-1951 /$fGerd Gemu?nden 205 $aPilot project. eBook available to selected US libraries only 210 1$aNew York :$cColumbia University Press,$d2014. 210 4$dİ2014 215 $a1 online resource (297 p.) 225 1 $aFilm and Culture 300 $aDescription based upon print version of record. 311 $a0-231-16679-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tCONTENTS --$tAcknowledgments --$tINTRODUCTION --$tPart One. PARALLEL MODERNITIES --$tPart Two. HITLER IN HOLLYWOOD --$tPart Three. YOU CAN'T GO HOME AGAIN --$tNotes --$tSelected Bibliography --$tIndex --$tBackmatter 330 $aHundreds of German-speaking film professionals took refuge in Hollywood during the 1930's and 1940's, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration. 410 0$aFilm and culture. 606 $aPolitical refugees$zGermany$xHistory$y20th century 606 $aMotion pictures$zUnited States$xHistory$y20th century 606 $aMotion pictures$zUnited States$xForeign influences 606 $aMotion picture producers and directors$zGreat Britain$vBiography 615 0$aPolitical refugees$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xForeign influences. 615 0$aMotion picture producers and directors 676 $a791.43097309/044 700 $aGemu?nden$b Gerd$f1959-$01223464 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787719603321 996 $aContinental strangers$93724404 997 $aUNINA