LEADER 02462nam 2200565Ia 450 001 9910787701403321 005 20200520144314.0 010 $a1-78042-888-X 035 $a(CKB)2670000000402667 035 $a(EBL)4104605 035 $a(SSID)ssj0000953650 035 $a(PQKBManifestationID)11519585 035 $a(PQKBTitleCode)TC0000953650 035 $a(PQKBWorkID)10910373 035 $a(PQKB)10988852 035 $a(MiAaPQ)EBC1337402 035 $a(Au-PeEL)EBL1337402 035 $a(CaPaEBR)ebr10745496 035 $a(CaONFJC)MIL510193 035 $a(OCoLC)855505251 035 $a(PPN)197278450 035 $a(EXLCZ)992670000000402667 100 $a20111102d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEnglish painting$b[electronic resource] /$fErnest Chesneau 210 $aNew York $cParkstone Press International$dc2013 215 $a1 online resource (256 p.) 300 $aIncludes index. 311 $a1-906981-89-2 320 $aIncludes bibliographical references and index. 327 $aThe Old Masters (1730-1850) -- Landscape and Watercolour Painting -- The Modern School (1850-1882) -- The Pre-Raphaelites -- Landscape, Genre, and Historical Painting. 330 $a"The English school of painting was officially recognised at the beginning of the 18th century through the work of William Hogarth. It includes works by the most famous English artists, such as Thomas Gainsborough, Joseph Mallord William Turner, John Constable, Edward Burne-Jones, and Dante Gabriel Rossetti. This subject is introduced with a very unique text, published in 1882: a French study of English pictorial art. The author, Ernest Chesneau, was highly-cultured, an art historian and inspector of Fine Arts. He explains the beginnings of this school which excels in portraiture and landscapes, and reminds us of the English brilliance regarding watercolors, not forgetting to include the work of the Pre-Raphaelites"--$cProvided by publisher. 606 $aPainting, British 606 $aPainting 615 0$aPainting, British. 615 0$aPainting. 676 $a759.2 686 $aART000000$2bisacsh 700 $aChesneau$b Ernest$f1833-1890.$01107614 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787701403321 996 $aEnglish painting$93690875 997 $aUNINA