LEADER 05096oam 2200745I 450 001 9910459759303321 005 20200520144314.0 010 $a1-136-08749-4 010 $a1-136-08750-8 010 $a1-282-87993-6 010 $a9786612879937 010 $a0-240-81626-9 024 7 $a10.4324/9780240816265 035 $a(CKB)2670000000048748 035 $a(EBL)630019 035 $a(OCoLC)689052384 035 $a(SSID)ssj0000444117 035 $a(PQKBManifestationID)11287375 035 $a(PQKBTitleCode)TC0000444117 035 $a(PQKBWorkID)10462454 035 $a(PQKB)10997094 035 $a(MiAaPQ)EBC630019 035 $a(CaSebORM)9780240816258 035 $a(Au-PeEL)EBL630019 035 $a(CaPaEBR)ebr10427874 035 $a(CaONFJC)MIL287993 035 $a(EXLCZ)992670000000048748 100 $a20180706d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWay beyond monochrome $eadvanced techniques for traditional black & white photography /$fby Ralph W. Lambrecht & Chris Woodhouse 205 $a2nd ed. 210 1$aAmsterdam ;$aBoston :$cFocal press,$d2011. 215 $a1 online resource (561 p.) 300 $aDescription based upon print version of record. 311 $a1-138-29737-2 311 $a0-240-81625-0 320 $aIncludes bibliographical references (p. [530]-536) and index. 327 $aCover; Way Beyond Monochrome: Advanced Techniques for Traditional Black & White Photography; Copyright; Contents; Foreword to the First Edition; Foreword to the Second Edition; Preface and Acknowledgments; Introduction; Part 1 The Basics; From Visualization to Print; Eye and Brain: Now you see it, now you don't; Pictorial Maturity: Combining craft and creativity; Photographic Quality: The synergy of image, negative and print quality; Fundamental Print Control; Timing Print Exposures: Expose for the highlights; Paper and Print Contrast: Control the shadows with contrast 327 $aBasics of Photographic Printing: A fundamental but thorough approachArchival Print Processing: Challenging the test of time; Presentation Is Everything; Mounting and Matting Prints: Solid steps to successful print presentations; Print Spotting: Closing in on perfection with a bit of cleanliness; Framing and Displaying Prints: Fully protected and ready for the exhibition; What Size Is the Edition?: Should I only make a limited number of prints from each negative?; Part 2 The Science; Tone Reproduction 327 $aIntroduction to the Zone System: Should I only make a limited number of prints from each negative?Introduction to Sensitometry: A graph is worth a thousand pictures; Tone Reproduction: Zone System and sensitometry combined; Image Gradation: The influence of material characteristics; Image Capture; Imaging Paths: Different ways from image capture to final print; Sharpness and Depth of Field: About the limits of human vision and image clarity; Critical Focusing: What you see is what you get?; Pinhole Photography: The fascinating world of lensless imaging 327 $aBasics of Digital Capture: The essential elements of digital imaging, quality and archivingDigital Capture Alternatives: Comparing and choosing solutions for digital monochrome; Negative Control; Introduction to Exposure: Measuring, controlling and correcting film exposure; Development and Film Processing: Controlling negative contrast and other film processing steps; Advanced Development: Are one film and one developer enough?; Creating a Standard: Tone reproduction defines the boundaries and target values of the Zone System 327 $aCustomizing Film Speed and Development: Take control and make the Zone System work for youInfluence of Exposure and Development: Expose for the shadows and develop for the highlights; Exposure Latitude: What can we get away with?; Pre-Exposure: A double take on film exposure; Applied Zone System: Contrast Control with development or paper grades?; C41 Zone System: Contrast control with chromogenic monochrome films; Quality Control: Continuous exposure and development control; Unsharp Masking: Contrast control and increased sharpness in B&W 327 $aMasking for Complete Control: More masks, more opportunities for control 330 $aAn inspirational bible for monochrome photography - this second edition almost doubles the content of its predecessor showing you the path from visualization to print 606 $aPhotography$xDigital techniques 606 $aPhotography$xProcessing 606 $aBlack-and-white photography 608 $aElectronic books. 615 0$aPhotography$xDigital techniques. 615 0$aPhotography$xProcessing. 615 0$aBlack-and-white photography. 676 $a778.3 700 $aLambrecht$b Ralph W.$0996466 701 $aWoodhouse$b Chris$0996467 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910459759303321 996 $aWay beyond monochrome$92284507 997 $aUNINA LEADER 02845oam 2200625I 450 001 9910787605203321 005 20230207214958.0 010 $a1-315-78765-2 010 $a1-317-72415-1 010 $a1-317-72416-X 024 7 $a10.4324/9781315787657 035 $a(CKB)2670000000529282 035 $a(EBL)1639389 035 $a(SSID)ssj0001131080 035 $a(PQKBManifestationID)12480579 035 $a(PQKBTitleCode)TC0001131080 035 $a(PQKBWorkID)11143289 035 $a(PQKB)11668182 035 $a(OCoLC)878137793 035 $a(MiAaPQ)EBC1639389 035 $a(OCoLC)608132626 035 $a(EXLCZ)992670000000529282 100 $a20180706d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe psychodynamic image $eJohn D. Sutherland on self and society /$fedited by Jill Savege Scharff 210 1$aLondon ;$aNew York :$cRoutledge,$d2007. 215 $a1 online resource (199 p.) 300 $aDescription based upon print version of record. 311 $a0-415-41184-X 311 $a0-415-41183-1 320 $aIncludes bibliographical references and index. 327 $aCover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Biographies; Preface; Acknowledgments; Introduction; 1 Becoming and being a person; 2 The conceptual model; 3 British object relations: Balint, Winnicott, Fairbairn, Guntrip; 4 Advances in understanding small groups; 5 Treatment in the postindustrial society; 6 The self: a challenge to psychoanalysis; 7 The self and personal relations; 8 The psychodynamic image of man; 9 The autonomous self; References; Index 330 $aThe Psychodynamic Image is the first selection of John D. Sutherland's major papers. It provides an overview of the development of his thought on self and society and reveals the extent of his contribution to the field of mental health. Jill Savege Scharff introduces Sutherland's most important and influential essays. These reflect his range as a theoretician, moving easily from the intrapsychic to the interpersonal level, building bridges between points of view and integrating psychoanalytic and social theories. Sutherland's work calls for changes at the individual level 606 $aSelf 606 $aSelf-perception$xSocial aspects 606 $aSocial psychology 606 $aPsychoanalysis 615 0$aSelf. 615 0$aSelf-perception$xSocial aspects. 615 0$aSocial psychology. 615 0$aPsychoanalysis. 676 $a150.19/5 676 $a150.195 701 $aScharff$b Jill Savege$01498424 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787605203321 996 $aThe psychodynamic image$93723979 997 $aUNINA