LEADER 01288nam 2200349Ia 450 001 996393793503316 005 20200824132107.0 035 $a(CKB)3810000000005824 035 $a(EEBO)2240951789 035 $a(OCoLC)ocm12255592e 035 $a(OCoLC)12255592 035 $a(EXLCZ)993810000000005824 100 $a19850711d1649 uy | 101 0 $aeng 135 $aurbn#|||a|bb| 200 10$aMercurius Teutonicus, or, A Christian information concerning the last times$b[electronic resource] $ebeing divers propheticall passages of the fall of Babel and the new building in Zion /$fgathered out of the mysticall writings of that famous Germane author, Jacob Behmen, alias, Teutonicus Phylosophus 210 $aLondon $cPrinted by M. Simmons for H. Blunden ...$d1649 215 $a[6], 52 p. $cill 300 $aTitle page vignette. 300 $aReproduction of original in Huntington Library. 330 $aeebo-0113 606 $aSecond Advent 615 0$aSecond Advent. 700 $aBo?hme$b Jakob$f1575-1624.$0420998 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996393793503316 996 $aMercurius Teutonicus, or, A Christian information concerning the last times$92313835 997 $aUNISA LEADER 02765 am 2200493 n 450 001 9910315239903321 005 20181005 010 $a2-37747-129-3 024 7 $a10.4000/books.ugaeditions.3503 035 $a(CKB)4100000007823728 035 $a(FrMaCLE)OB-ugaeditions-3503 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/52507 035 $a(PPN)235361623 035 $a(EXLCZ)994100000007823728 100 $a20190329j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aL??dipe romantique $eLe jeune homme, le désir et l?histoire en 1830 /$fPierre Laforgue 210 $aGrenoble $cUGA Éditions$d2018 215 $a1 online resource (206 p.) 311 $a2-84310-040-2 330 $aL'?dipe est peut-être moins une structure de la psychè humaine qu'une configuration philosophique qui s'inscrit dans l'histoire. Aussi n'est-ce pas le complexe d'?dipe des héros romantiques qui est envisagé dans ce livre, ni non plus le mythe d'?dipe au temps du romantisme, mais l'?dipe tel qu'il s'élabore dans les années 1830, au moment où l'imaginaire et le symbolique sont en train de se recomposer. Il s'agit d'interroger l'?dipe dans la relation qu'il entretient à la société et à l'histoire et de voir comment cette chimère travaille les textes de cette époque. L'approche, qui croise constamment le fantasmatique et l'idéologique, est sociocritique. L'ensemble s'organise en deux parties. La première, synchronique, constitue une anthropologie du romantisme de 1830 et essaie de montrer que dans la référence à ?dipe se formulent à cette époque des questions historiques autant que sociales et politiques. La seconde partie est composée de huit monographies, consacrées à quelques textes essentiels du romantisme où se voit à l'?uvre une écriture de l'?dipe : Le Rouge et le Noir, Lucrèce Borgia, Lorenzaccio, Fantasio, Volupté, Le Père oriot, La Confession d'un enfant du siècle, Le Lys dans la vallée. 606 $aFrench literature$y19th century$xHistory and criticism 606 $aOedipus complex in literature 606 $aDesire in literature 606 $aRomanticism$zFrance 610 $aimaginaire 610 $apsychè 610 $apsychologie 610 $aromantisme 615 0$aFrench literature$xHistory and criticism. 615 0$aOedipus complex in literature. 615 0$aDesire in literature. 615 0$aRomanticism 676 $a840.9/353 700 $aLaforgue$b Pierre$0221385 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910315239903321 996 $aL'?dipe romantique$92870443 997 $aUNINA LEADER 04955nam 2200745Ia 450 001 9910787525203321 005 20200520144314.0 010 $a0-8122-0235-X 024 7 $a10.9783/9780812202359 035 $a(CKB)2670000000418242 035 $a(OCoLC)859160829 035 $a(CaPaEBR)ebrary10748511 035 $a(SSID)ssj0000980845 035 $a(PQKBManifestationID)11611471 035 $a(PQKBTitleCode)TC0000980845 035 $a(PQKBWorkID)10969440 035 $a(PQKB)10499346 035 $a(MdBmJHUP)muse26725 035 $a(DE-B1597)449094 035 $a(OCoLC)1013945181 035 $a(OCoLC)979968266 035 $a(DE-B1597)9780812202359 035 $a(Au-PeEL)EBL3442122 035 $a(CaPaEBR)ebr10748511 035 $a(CaONFJC)MIL682344 035 $a(MiAaPQ)EBC3442122 035 $a(EXLCZ)992670000000418242 100 $a20060710d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDeans and truants$b[electronic resource] $erace and realism in African American literature /$fGene Andrew Jarrett 210 $aPhiladelphia $cUniversity of Pennsylvania Press$dc2007 215 $a1 online resource (232 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-322-51062-8 311 $a0-8122-3973-3 320 $aIncludes bibliographical references (p. [187]-215) and index. 327 $tFront matter --$tContents --$tIntroduction: The Problem of African American Literature --$tChapter 1. "Entirely Black Verse from Him Would Succeed" --$tChapter 2. "We Must Write Like the White Men" --$tChapter 3. "The Conventional Blindness of the Caucasian Eye" --$tChapter 4. "The Impress of Nationality Rather than Race" --$tChapter 5. ''A Negro Peoples' Movement in Writing" --$tChapter 6. "The Race Problem Was Not a Theme for Me" --$tChapter 7. ''A-World-in-Which-Race-Does-Not-Matter" --$tNotes --$tIndex --$tAcknowledgments 330 $aFor a work to be considered African American literature, does it need to focus on black characters or political themes? Must it represent these within a specific stylistic range? Or is it enough for the author to be identified as African American? In Deans and Truants, Gene Andrew Jarrett traces the shifting definitions of African American literature and the authors who wrote beyond those boundaries at the cost of critical dismissal and, at times, obscurity. From the late nineteenth century to the end of the twentieth, de facto deans-critics and authors as different as William Howells, Alain Locke, Richard Wright, and Amiri Baraka-prescribed the shifting parameters of realism and racial subject matter appropriate to authentic African American literature, while truant authors such as Paul Laurence Dunbar, George S. Schuyler, Frank Yerby, and Toni Morrison-perhaps the most celebrated African American author of the twentieth century-wrote literature anomalous to those standards. Jarrett explores the issues at stake when Howells, the "Dean of American Letters," argues in 1896 that only Dunbar's "entirely black verse," written in dialect, "would succeed." Three decades later, Locke, the cultural arbiter of the Harlem Renaissance, stands in contrast to Schuyler, a journalist and novelist who questions the existence of a peculiarly black or "New Negro" art. Next, Wright's 1937 blueprint for African American writing sets the terms of the Chicago Renaissance, but Yerby's version of historical romance approaches race and realism in alternative literary ways. Finally, Deans and Truants measures the gravitational pull of the late 1960's Black Aesthetic in Baraka's editorial silence on Toni Morrison's first and only short story, "Recitatif."Drawing from a wealth of biographical, historical, and literary sources, Deans and Truants describes the changing notions of race, politics, and gender that framed and were framed by the authors and critics of African American culture for more than a century. 606 $aAmerican literature$xAfrican American authors$xHistory and criticism 606 $aAfrican Americans$xIntellectual life 606 $aAfrican Americans in literature 606 $aAfrican American aesthetics 606 $aRace in literature 606 $aRealism in literature 610 $aCultural Studies. 610 $aLiterature. 615 0$aAmerican literature$xAfrican American authors$xHistory and criticism. 615 0$aAfrican Americans$xIntellectual life. 615 0$aAfrican Americans in literature. 615 0$aAfrican American aesthetics. 615 0$aRace in literature. 615 0$aRealism in literature. 676 $a810.9/352996073 700 $aJarrett$b Gene Andrew$f1975-$01480475 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787525203321 996 $aDeans and truants$93697141 997 $aUNINA