LEADER 04685nam 2200805Ia 450 001 9910787523003321 005 20211217013130.0 010 $a0-8122-0427-1 024 7 $a10.9783/9780812204278 035 $a(CKB)2670000000418345 035 $a(EBL)3442227 035 $a(SSID)ssj0000981049 035 $a(PQKBManifestationID)11618475 035 $a(PQKBTitleCode)TC0000981049 035 $a(PQKBWorkID)10968982 035 $a(PQKB)11619866 035 $a(OCoLC)859161675 035 $a(MdBmJHUP)muse29106 035 $a(DE-B1597)449732 035 $a(OCoLC)979578139 035 $a(DE-B1597)9780812204278 035 $a(Au-PeEL)EBL3442227 035 $a(CaPaEBR)ebr10748807 035 $a(MiAaPQ)EBC3442227 035 $a(EXLCZ)992670000000418345 100 $a20010703d2002 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aImaginary betrayals$b[electronic resource] $esubjectivity and the discourses of treason in early Modern England /$fKaren Cunningham 210 $aPhiladelphia $cUniversity of Pennsylvania Press$d2002 215 $a1 online resource (224 p.) 225 0 $aThe Middle Ages series 300 $aDescription based upon print version of record. 311 0 $a0-8122-3640-8 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction --$t1. "Fugitive Forms": Imagining the Realm --$t2. Female Fidelities on Trial --$t3. Masculinity, Aflliation, and Rootlessness --$t4. Secrecy and the Epistolary Self --$tConclusion --$tNotes --$tWorks Cited --$tIndex --$tAcknowledgments 330 $aIn 1352 King Edward III had expanded the legal definition of treason to include the act of imagining the death of the king, opening up the category of "constructive" treason, in which even a subject's thoughts might become the basis for prosecution. By the sixteenth century, treason was perceived as an increasingly serious threat and policed with a new urgency. Referring to the extensive early modern literature on the subject of treason, Imaginary Betrayals reveals how and to what extent ideas of proof and grounds for conviction were subject to prosecutorial construction during the Tudor period. Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with having had sexual relations with two men before her marriage; the 1586 case of Anthony Babington and twelve confederates, accused of plotting with the Spanish to invade England and assassinate Elizabeth; and the prosecution in the same year of Mary, Queen of Scots, indicted for conspiring with Babington to engineer her own accession to the throne. Linking the inventiveness of the accusations and decisions in these cases to the production of contemporary playtexts by Udall, Shakespeare, Marlowe, and Kyd, Imaginary Betrayals demonstrates how the emerging, flexible discourses of treason participate in defining both individual subjectivity and the legitimate Tudor state. Concerned with competing representations of self and nationhood, Imaginary Betrayals explores the implications of legal and literary representations in which female sexuality, male friendship, or private letters are converted into the signs of treacherous imaginations. 606 $aSex role in literature 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 606 $aLaw in literature 606 $aBetrayal in literature 606 $aTreason in literature 606 $aTrials (Treason)$zEngland$xHistory$y16th century 606 $aEnglish drama$y17th century$xHistory and criticism 606 $aSubjectivity in literature 606 $aLaw and literature$xHistory$y16th century 610 $aLaw. 610 $aLiterature. 610 $aMedieval and Renaissance Studies. 615 0$aSex role in literature. 615 0$aEnglish drama$xHistory and criticism. 615 0$aLaw in literature. 615 0$aBetrayal in literature. 615 0$aTreason in literature. 615 0$aTrials (Treason)$xHistory 615 0$aEnglish drama$xHistory and criticism. 615 0$aSubjectivity in literature. 615 0$aLaw and literature$xHistory 676 $a822/.309358 700 $aCunningham$b Karen$01480463 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787523003321 996 $aImaginary betrayals$93697120 997 $aUNINA LEADER 02903nam 2200757Ia 450 001 9910781924303321 005 20230607222011.0 010 $a1-281-29549-3 010 $a9786611295493 010 $a1-84714-217-6 035 $a(CKB)1000000000488179 035 $a(EBL)436643 035 $a(OCoLC)229084257 035 $a(SSID)ssj0000233798 035 $a(PQKBManifestationID)12043353 035 $a(PQKBTitleCode)TC0000233798 035 $a(PQKBWorkID)10235805 035 $a(PQKB)10727898 035 $a(MiAaPQ)EBC436643 035 $a(Au-PeEL)EBL436643 035 $a(CaPaEBR)ebr10224730 035 $a(CaONFJC)MIL129549 035 $a(OCoLC)893334031 035 $a(EXLCZ)991000000000488179 100 $a20010330d2001 uy 0 101 0 $ager 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe reception of British aesthetics in Germany$b[electronic resource] $eseven significant translations, 1745-1776$hVolume 1 /$fedited and introduced by Heiner F. Klemme and Manfred Kuehn 210 $aBristol $cThoemmes$d2001 215 $a1 online resource (2175 p.) 300 $aFacsimile reprints of the 18th century translations. 311 $a1-85506-899-0 327 $aThe Reception of British Aesthetics in Germany 330 $aThis is a collection of contemporary translations of seven rare and influential 18th-century British aesthetic texts into German. They are important for understanding the dissemination of intellectual ideas across Europe. 606 $aAesthetics, German$y18th century 606 $aAesthetics, British$y18th century 606 $aAesthetics, British$y18th century$vTranslations into German 615 0$aAesthetics, German 615 0$aAesthetics, British 615 0$aAesthetics, British 676 $a111.850941 701 $aKlemme$b Heiner$0188080 701 $aKuehn$b Manfred$0446589 701 $aSpalding$b Johann Joachim$f1714-1804.$01516084 701 $aMylius$b Christlob$f1722-1754.$01516085 701 $aResewitz$b Friedrich Gabriel$f1729-1806.$01516086 701 $aMerck$b Johann Heinrich$f1741-1791.$01516087 701 $aFlo?gel$b Karl Friedrich$f1729-1788.$01516088 701 $aGarve$b Christian$f1742-1798.$0220422 701 2$aShaftesbury$b Anthony Ashley Cooper$cEarl of,$f1671-1713.$0249555 701 2$aHogarth$b William$f1697-1764.$0189070 701 2$aHume$b David$f1711-1776.$0329443 701 2$aHutcheson$b Francis$f1694-1746.$0122991 701 2$aGerard$b Alexander$f1728-1795.$01516089 701 2$aBurke$b Edmund$f1729-1797.$038256 701 $aGerard$b Alexander$f1728-1795.$01516089 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781924303321 996 $aThe reception of British aesthetics in Germany$93752313 997 $aUNINA