LEADER 02153nam 2200541 450 001 9910787467403321 005 20200520144314.0 010 $a0-8131-9506-3 010 $a0-8131-6466-4 035 $a(CKB)3710000000334381 035 $a(EBL)1915582 035 $a(SSID)ssj0001433903 035 $a(PQKBManifestationID)11845187 035 $a(PQKBTitleCode)TC0001433903 035 $a(PQKBWorkID)11416504 035 $a(PQKB)10482832 035 $a(OCoLC)897471507 035 $a(MdBmJHUP)muse44609 035 $a(Au-PeEL)EBL1915582 035 $a(CaPaEBR)ebr11005538 035 $a(CaONFJC)MIL691309 035 $a(OCoLC)900344890 035 $a(MiAaPQ)EBC1915582 035 $a(EXLCZ)993710000000334381 100 $a20150123h19771977 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aImages in sand /$fJanis Sternbergs 210 1$aLexington, Kentucky :$cThe University Press of Kentucky,$d1977. 210 4$dİ1977 215 $a1 online resource (112 p.) 300 $aDescription based upon print version of record. 311 $a1-322-60027-9 311 $a0-8131-5492-8 327 $aCover; Title; Copyright; Contents; Preface; Introduction; Some Ways to Work in Sand; Images 330 $aIn 1965 Janis Sternbergs made a few playful lines in some sand on his studio table and was struck by the image he had created. A photograph of this confluence of shadows showed what seemed to be a great earth sculpture of vast depth and breadth. So began an art form which united the talents and skills of engraver, sculptor, painter, and photographer. And when Sternbergs added color effects to his images by use of photo-screen process printing, he employed the skills of still another medium -- one in which he is a recognized master.In this book Sternbergs first explains and demonstrates many of 676 $a709/.2/4 700 $aSternbergs$b Janis$01504889 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787467403321 996 $aImages in sand$93734173 997 $aUNINA