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100   $a20150218h20152015  uy             0
101 0 $aeng
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181   $ctxt
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200 03$aAn early hautboy solo matrix $esolos for the hautboy before 1710 based on a symphonia/sonata by Johann Christoph Pez that demonstrates a performance practice of adaptation /$fedited and introduced by Peter Hedrick
205   $a1st ed.
210  1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015.
210  4$dİ2015
215   $a1 online resource (93 p.)
300   $aDescription based upon print version of record.
311   $a1-322-88949-X 
311   $a1-4438-5828-5 
320   $aIncludes bibliographical references.
327   $a""TABLE OF CONTENTS""; ""ACKNOWLEDGEMENTS""; ""PART I""; ""CHAPTER ONE""; ""CHAPTER TWO""; ""CHAPTER THREE""; ""CHAPTER FOUR""; ""CHAPTER FIVE""; ""CHAPTER SIX""; ""SOURCES""; ""EDITORIAL METHODS""; ""APPENDICES ""; ""BIBLIOGRAPHY""; ""NOTES""; ""PART II ""; ""Johann Christoph Pez, Symphonia""; ""Johann Heinrich Schmelzer, Sonata Quinta""; ""Reinhard Keiser, Music in Der Beliebte Adonis""; ""Daniel Purcell, Sonata Sexta""; ""Arcangelo Corelli, Sonata, Op. 5, No. 7""; ""CRITICAL NOTES""
330   $aThe earliest surviving hautboy solo is a Symphonia by Johann Christoph Pez from the 1690's or early 1700's. This piece survives in two versions, as a Sonata for violin and a Symphonia for hautboy, and the differences between the two enable a comparison of how Pez viewed the character and technical capabilities of each instrument. The purpose of this edition is to show how Pez's Symphonia can be used as a template to find other works that might become hautboy solos (treble/bass) from the last third or so of the seventeenth century when the instrument came into use. Thus Pez points the way
606   $aMusic$y17th century
606   $aMusic$y18th century
615  0$aMusic
615  0$aMusic
676   $a780.9032
702   $aHedrick$b Peter
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910787434303321
996   $aAn early hautboy solo matrix$93743909
997   $aUNINA