LEADER 03557nam 2200625 450 001 9910787408903321 005 20200520144314.0 010 $a0-86196-902-2 035 $a(CKB)3710000000365727 035 $a(EBL)1977965 035 $a(SSID)ssj0001547752 035 $a(PQKBManifestationID)16144972 035 $a(PQKBTitleCode)TC0001547752 035 $a(PQKBWorkID)14797378 035 $a(PQKB)10257323 035 $a(OCoLC)933516403 035 $a(MdBmJHUP)muse47573 035 $a(Au-PeEL)EBL1977965 035 $a(CaPaEBR)ebr11051526 035 $a(OCoLC)905984489 035 $a(MiAaPQ)EBC1977965 035 $a(EXLCZ)993710000000365727 100 $a20150512h20122012 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEarly cinema today $ethe art of programming and live performance /$fedited by Martin Loiperdinger 210 1$aNew Barnet, Herts, United Kingdom :$cJohn Libbey Publishing,$d[2012] 210 4$dİ2012 215 $a1 online resource (267 p.) 225 1 $aKINtop. Studies in early cinema ;$vvolume 1 300 $aDescription based upon print version of record. 311 $a0-86196-702-X 320 $aIncludes bibliographical references and filmography. 327 $aStimulating the audience : early cinema's short film programme format 1906-1912 / Andrea Haller and Martin Loiperdinger -- The best years of film history : a hundred years ago / Mariann Lewinsky -- 'From the botom of the sea' : early film at the Oberhausen Festival / Tom Gunning -- From the past to the future : suffragettes--extremists of visibility in Berlin / Madeleine Bernstorff -- Silent films in their first decades--objects for research or for exhibition? / Eric de Kuyper -- Programming the local : Mitchell & Kenyon and the local film show / Vanessa Toulmin -- Back to the future : early cinema and late economy of attention : a interim report about Crazy cinematographe / Claude Bertemes and Nicole Dahlen -- The Crazy cinematographe, or the art of the impromtu spectator / Dick Tomasovic -- The art of crazy programming : documentation of Crazy cinematographe programmes, 2007 to 2010 / Claude Bertemes and Nicole Dahlen -- Programming and performing early cinema today : strategies and dispositifs / Frank Kessler. 330 $aInvented in the 1890's and premiered in Paris by the Lumiere brothers, the cinematograph along with Louis Le Prince's single-lens camera projector are considered by film historians to be the precursors to modern-day motion picture devices. These early movies were often shown in town halls, on fairgrounds, and in theaters, requiring special showmanship skills to effectively work the equipment and entertain onlookers. Within the last decade, film archives and film festivals have unearthed this lost art and have featured outstanding examples of the culture of early cinema reconfigured for today's audiences. 410 0$aKINtop studies in early cinema ;$vv. 1. 606 $aMotion pictures$xHistory 606 $aSilent films$xHistory and criticism 606 $aTheater and society 606 $aPerformance art 615 0$aMotion pictures$xHistory. 615 0$aSilent films$xHistory and criticism. 615 0$aTheater and society. 615 0$aPerformance art. 702 $aLoiperdinger$b Martin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787408903321 996 $aEarly cinema today$93708868 997 $aUNINA