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100   $a20150511h20122012  uy|            0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aAnimation $eart & industry /$fedited by Maureen Furniss
210  1$aHerts :$cJL,$d[2012]
210  4$d©2012
215   $a1 online resource (vii, 240 pages)
300   $aDescription based upon print version of record.
311   $a0-86196-680-5 
320   $aIncludes bibliographical references and index.
327   $tIntroduction /$rMaureen Furniss --$tGlobal perspectives --$tFine art animation /$rCecile Starr --$tSome critical perspectives on Lotte Reiniger /$rWilliam Moritz --$tIt's Mickey Mouse /$rEsther Leslie --$tNorman McLaren : His UNESCO work in Asia /$rTerence Dobson --$tConventions versus clichés /$rPatrick Drazen --$tMy neighbor Totoro /$rHelen McCarthy --$tGlocalisation vs. Globalization : The work of Nick Park and Peter Lord /$rMarian Quigley --$tToward a postmodern animated discourse : Bakhtin, intertextuality and the cartoon carnival /$rTerry Lindvall and Matthew Melton --$tInnocent play or the copycat effect? Computer game research and classification /$rJørgen Stensland --$tWinsor McCay /$rJohn Canemaker --$tThe live wire : Margaret J. Winkler and animation history /$rJ. B. Kaufman --$tDisney and the art world : The early years /$rBill Mikulak --$tThe art of Chuck Jones : John Lewell interviews the veteran Hollywood animator /$rJohn Lewell and Chuck Jones --$tThe Disney studio at war /$rCharles Solomon --$tUPA /$rJules Engel --$tBlacklisted animators /$rKarl Cohen --$tClay animation and the early days of television : The "Gumby" series /$rMichael Frierson --$tCommercial breaks /$rBill Hanna and Tom Ito --$t"Cartoon, anti-cartoon" /$rGeorge Griffin --$tComputers, new technology and animation /$rJames Lindner, Tina Price, Carl Rosendahl, and John Lasseter --$tThe illusion of "identity" : Gender and racial representation in Aladdin /$rSean Griffin --$tSelling Bugs Bunny : Warner Bros. and character merchandising in the nineties /$rLinda Simensky.
330   $aAnimation-Art and Industry is an introductory reader covering a broad range of animation studies topics, focusing on both American and international contexts. It provides information about key individuals in the fields of both independent and experimental animation, and introduces a variety of topics relevant to the critical study of media-censorship, representations of gender and race, and the relationship between popular culture and fine art. Essays span the silent era to the present, include new media such as web animation and gaming, and address animation made using a variety of techniques.
606   $aAnimation (Cinematography)
606   $aAnimated films
606   $aPerforming Arts
615  0$aAnimation (Cinematography)
615  0$aAnimated films.
615  0$aPerforming Arts.
676   $a791.4334
702   $aFurniss$b Maureen
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910787408703321
996   $aAnimation$92016743
997   $aUNINA