LEADER 03685nam 2200577 450 001 9910787337003321 005 20170822121144.0 010 $a1-4422-3264-1 035 $a(CKB)3710000000356393 035 $a(EBL)1939365 035 $a(OCoLC)903015367 035 $a(SSID)ssj0001440249 035 $a(PQKBManifestationID)11832320 035 $a(PQKBTitleCode)TC0001440249 035 $a(PQKBWorkID)11383797 035 $a(PQKB)10967095 035 $a(MiAaPQ)EBC1939365 035 $a(EXLCZ)993710000000356393 100 $a20150314h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aForetastes of heaven in Lutheran church music tradition $eJohann Mattheson and Christoph Raupach on music in time and eternity /$fJoyce Irwin 210 1$aLanham, Maryland :$cRowman & Littlefield,$d2015. 210 4$dİ2015 215 $a1 online resource (214 p.) 225 1 $aContextual Bach Studies 300 $aIncludes index. 311 $a1-4422-3263-3 327 $aForetastes Of Heaven In Lutheran Church Music Tradition ; Contents; List of Figures; Series Editor's Foreword; Preface; Abbreviations; Introduction; Part I Christoph Raupach, Deutliche Beweis-Gru?nde, 1717 Edited by Johann Mattheson; Preface by Johann Mattheson; Chapter 1. Concerning the Commands of God that Deal with Church Music, Vocal as well as Instrumental; Chapter 2. Of the Examples of Jews and Christians; Chapter 3. Concerning the Powerful Usefulness of the Whole of Church Music and also Concerning its Necessity 327 $aChapter 4. Concerning the Powerful Usefulness of Music in Alleviating and Sweetening other Daily AffairsChapter 5. Of the Various Powerful Effects of Music on the Hearts and Minds of People.; Chapter 6. Of the Use of Music in Bodily Illness; Chapter 7. Of the Use of Church Music by Which One Experiences a Foretaste of Heavenly Life; Additional Comments; Part I Notes; Part II Johann Mattheson, Behauptung der himmlischen Musik, 1747; [Introductory Remarks]; Section 1. Investigation of Heavenly Music According to Purified Reason 327 $aSection 2. Investigation of Heavenly Music According to Doctrines of the Church and its TeachersSection 3. Investigation of Heavenly Music According to Holy Scripture Itself; Part II Notes; Appendix Mizler's Comments on Ammon's Gru?ndlicher Beweis (1746); Index (Names and subjects); About the Author 330 $aIn the two centuries after Martin Luther's affirmation that music stood second only to theology, Lutheran theologians and musicians formulated a theological defense of music that validated this exalted status. Against Calvinist rivals and Pietist critics, the orthodox Lutheran position further claimed that both instrumental and vocal music were commanded by God. Joyce Irwin's earlier work, Neither Voice nor Heart Alone: German Lutheran Theology of Music in the Age of the Baroque, traced this development in Lutheran theological 410 0$aContextual Bach studies. 606 $aChurch music$zGermany$y18th century 606 $aChurch music$xLutheran Church 615 0$aChurch music 615 0$aChurch music$xLutheran Church. 676 $a781.71/41 700 $aIrwin$b Joyce L.$01169063 701 $aMattheson$b Johann$f1681-1764.$01584506 701 $aRaupach$b Christoph$f1686-1744.$01584793 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787337003321 996 $aForetastes of heaven in Lutheran church music tradition$93868800 997 $aUNINA