LEADER 03738nam  22007333  450 
001 9910787334203321
005 20230803030726.0
010   $a3-11-029529-6
010   $a3-11-029530-X
024 7 $a10.1515/9783110295290
035   $a(CKB)2670000000393379
035   $a(EBL)955853
035   $a(OCoLC)851970203
035   $a(SSID)ssj0000916719
035   $a(PQKBManifestationID)11562321
035   $a(PQKBTitleCode)TC0000916719
035   $a(PQKBWorkID)10877795
035   $a(PQKB)10651157
035   $a(MiAaPQ)EBC955853
035   $a(DE-B1597)178525
035   $a(OCoLC)853251526
035   $a(DE-B1597)9783110295290
035   $a(Au-PeEL)EBL955853
035   $a(CaPaEBR)ebr10728899
035   $a(CaONFJC)MIL504384
035   $a(EXLCZ)992670000000393379
100   $a20130102d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aCreativity and the agile mind$b[electronic resource] $ea multi-disciplinary study of a multi-faceted phenomenon /$fedited by Tony Veale, Kurt Feyaerts and Charles Forceville
210   $aBerlin $cDe Gruyter Mouton$d2013
215   $a1 online resource (380 p.)
225 1 $aApplications of cognitive linguistics,$x1861-4078 ;$vv. 21
300   $aDescription based upon print version of record.
311   $a3-11-029348-X 
320   $aIncludes bibliographical references and index.
327   $apt. I. Introduction -- pt. II. Computers and creativity -- pt. III. Verbal communication -- pt. IV. Visual communication -- pt. V. Musical performance.
330   $aCreativity is a highly-prized quality in any modern endeavor, whether artistic, scientific or professional. Though a much-studied subject, and the topic of a great many case-studies, the field of creativity research is still very much an open one. Creativity remains a field where absolute definitions hold very little water, and where true insight can only emerge when we properly appreciate - from a nuanced, multi-disciplinary perspective - the crucial distinction between the producer's perspective and the consumer's perspective. Theories that afford us a critical appreciation of a creative work do not similarly afford a explanatory insight into the origins and development of the work. As researchers, we must approach creativity both as producers - to consider the vast search-spaces that a producer encounters, and to appreciate the need for heuristic strategies for negotiating this space - and as consumers, to appreciate the levels of shared knowledge (foreground and background) that is exploited by the producer to achieve a knowingly creative effect in the mind of the consumer. This volume thus brings together both producers and consumers in a cross-disciplinary exploration of this complex, many-faceted phenomenon.
410  0$aApplications of cognitive linguistics ;$v21.
606   $aCreativity (Linguistics)
606   $aCognitive grammar
606   $aGrammar, Comparative and general$xCoordinate constructions
610   $aCognitive Science.
610   $aCreativity.
610   $aLanguage.
610   $aMusic.
610   $aVisual Communication.
615  0$aCreativity (Linguistics)
615  0$aCognitive grammar.
615  0$aGrammar, Comparative and general$xCoordinate constructions.
676   $a153.3/5
701   $aVeale$b Tony$f1967-$01465621
701   $aFeyaerts$b Kurt$f1968-$01584781
701   $aForceville$b Ch$g(Charles)$0481745
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910787334203321
996   $aCreativity and the agile mind$93868775
997   $aUNINA