LEADER 01912nam 2200529 450 001 9910787206603321 005 20200520144314.0 010 $a1-61168-704-7 035 $a(CKB)3710000000331273 035 $a(EBL)1882462 035 $a(SSID)ssj0001401729 035 $a(PQKBManifestationID)12594305 035 $a(PQKBTitleCode)TC0001401729 035 $a(PQKBWorkID)11370804 035 $a(PQKB)11074877 035 $a(MiAaPQ)EBC1882462 035 $a(OCoLC)899941773 035 $a(MdBmJHUP)muse42344 035 $a(Au-PeEL)EBL1882462 035 $a(CaPaEBR)ebr11001387 035 $a(CaONFJC)MIL688646 035 $a(EXLCZ)993710000000331273 100 $a20150113h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCurtains? $ethe future of the arts in America /$fMichael M. Kaiser 210 1$aWaltham, Massachusetts :$cBrandeis University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (165 p.) 300 $aDescription based upon print version of record. 311 $a1-61168-703-9 327 $aAmerica the beautiful: the arts explosion, 1950/2000 -- To have and have not: the arts in the twenty-first century (to date) -- Brave new world, Part I: the arts in America in 2035 -- Brave new world, Part II: how industries evolve -- An alternate universe: toward a brighter future; or not -- Acknowledgments. 330 $aA passionate and provocative assessment of the decline of performing arts institutions in the United States and how to save them 606 $aPerforming arts$zUnited States 615 0$aPerforming arts 676 $a790.2 700 $aKaiser$b Michael M.$f1953-$01472090 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787206603321 996 $aCurtains$93684713 997 $aUNINA LEADER 03023nam 22005055 450 001 9910831808103321 005 20220329044247.0 010 $a9783839455883 010 $a383945588X 024 7 $a10.1515/9783839455883 035 $a(CKB)5860000000038612 035 $a(DE-B1597)574044 035 $a(DE-B1597)9783839455883 035 $a(ScCtBLL)181d4344-9b53-4a5c-8e69-103b37795825 035 $a(Perlego)4333025 035 $a(EXLCZ)995860000000038612 100 $a20220329h20222022 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProcessing Choreography $eThinking with William Forsythe's Duo /$fElizabeth Waterhouse 210 1$aBielefeld : $ctranscript Verlag, $d[2022] 210 4$dİ2022 215 $a1 online resource (342 p.) 225 0 $aTanzScripte ;$v60 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tPreface -- $tIntroduction -- $tPART I ? ART WORLD -- $tIntroduction to Part I: Art World -- $tChapter 1: Ensemble: William Forsythe & Team -- $tChapter 2: The Institutions of Ballett Frankfurt & The Forsythe Company -- $tChapter 3: The Dancers -- $tChapter 4: The Dancers? Practices -- $tChapter 5: Duo?s Art World -- $tPART II ? MOVEMENT -- $tIntroduction to Part II: Movement -- $tChapter 6: The Movement of Showerhead -- $tChapter 7: Movement Material & Relations -- $tChapter 8: Entrainment -- $tChapter 9: Movement Profile of Duo -- $tPART III ? CREATION -- $tIntroduction to Part III: Creation -- $tChapter 10: Creating Duo (1996) -- $tChapter 11: Re-Creating Duo (1996?2016) -- $tConclusion: Choreography as Creative Organization -- $tBibliography -- $tAppendix 330 $aTold from the perspective of the dancers, Processing Choreography: Thinking with William Forsythe's Duo is an ethnography reconstructing the dancers' activity within William Forsythe's Duo project, written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerges through practice and changes over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process - arguing for choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author gives novel insight into this choreographic community. 410 $aTanzScripte 606 $aPERFORMING ARTS / Dance / General$2bisacsh 610 $aChoreography. 610 $aCreativity. 610 $aDance. 610 $aPractice Theory. 610 $aPractice Turn. 610 $aProcess. 615 7$aPERFORMING ARTS / Dance / General. 700 $aWaterhouse$b Elizabeth, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01222327 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910831808103321 996 $aProcessing Choreography$92834593 997 $aUNINA