LEADER 05700nam 2200997 450 001 9910787197203321 005 20230617023206.0 010 $a0-520-95901-9 024 7 $a10.1525/9780520959019 035 $a(CKB)3710000000230234 035 $a(EBL)1711019 035 $a(SSID)ssj0001407000 035 $a(PQKBManifestationID)11733037 035 $a(PQKBTitleCode)TC0001407000 035 $a(PQKBWorkID)11409040 035 $a(PQKB)10154654 035 $a(MiAaPQ)EBC1711019 035 $a(DE-B1597)518760 035 $a(OCoLC)994453366 035 $a(DE-B1597)9780520959019 035 $a(Au-PeEL)EBL1711019 035 $a(CaPaEBR)ebr10928477 035 $a(CaONFJC)MIL642428 035 $a(OCoLC)890441244 035 $a(EXLCZ)993710000000230234 100 $a20140919h20042004 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aClosely watched films $ean introduction to the art of narrative film technique /$fMarilyn Fabe 210 1$aOakland, California :$cUniversity of California Press,$d2004. 210 4$dİ2004 215 $a1 online resource (313 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-27997-2 311 0 $a1-322-11177-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of Illustrations --$tAcknowledgments --$tIntroduction --$t1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation --$t2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin --$t3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer --$t4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday --$t5. Expressive Realism: Orson Welles's Citizen Kane --$t6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief --$t7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows --$t8. Hollywood Auteur: Alfred Hitchcock's Notorious --$t9. The European Art Film: Federico Fellini's 8 1/2 --$t10. Film and Postmodernism: Woody Allen's Annie Hall --$t11. Political Cinema: Spike Lee's Do the Right Thing --$t12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing --$t13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar --$tNotes --$tGlossary --$tBibliography --$tIndex 330 $aHow do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron's Avatar, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film-arguably the most influential of contemporary forms of representation-constitutes our pleasure, influences our thoughts, and informs our daily reality. Updated to include a discussion of 3-D and advanced special effects, this tenth anniversary edition is an essential film studies text for students and professors alike. 606 $aMotion pictures$xEvaluation 606 $aMotion pictures$xAesthetics 606 $aMotion pictures 610 $aanalytical tools. 610 $aauteur theory. 610 $aavatar. 610 $aclassic films. 610 $aclassical hollywood film. 610 $aclassical sound theory. 610 $adigital media. 610 $aexpressionism in film. 610 $afeminist film theory. 610 $afeminist theory. 610 $afilm history. 610 $afilm medium. 610 $afilm scholarship. 610 $afilm studies. 610 $afilm theory. 610 $afilm. 610 $afrench new wave film. 610 $ahollywood. 610 $aitalian neorealism. 610 $amodern sound theory. 610 $amodernism in film. 610 $anarrative film. 610 $apolitical cinema. 610 $apostmodernism in film. 610 $arealism in film. 610 $ashot by shot analysis. 610 $asoviet montage. 610 $aspecial effects. 610 $athe birth of a nation. 610 $avisual narratives. 615 0$aMotion pictures$xEvaluation. 615 0$aMotion pictures$xAesthetics. 615 0$aMotion pictures. 676 $a791.43/015 700 $aFabe$b Marilyn$01005714 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787197203321 996 $aClosely Watched Films$92312867 997 $aUNINA LEADER 04021nam 2200469 450 001 9910830352903321 005 20230629220139.0 010 $a1-119-82606-3 010 $a1-119-82607-1 010 $a1-119-82608-X 035 $a(MiAaPQ)EBC6899940 035 $a(Au-PeEL)EBL6899940 035 $a(CKB)21348191300041 035 $a(EXLCZ)9921348191300041 100 $a20221008d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDermatopathology $ediagnosis by first impression /$fChristine J. Ko, Ronald J. Barr 205 $aFourth edition. 210 1$aHoboken, New Jersey :$cWiley-Blackwell,$d[2022] 210 4$dİ2022 215 $a1 online resource (387 pages) 300 $aIncludes index. 311 08$aPrint version: Ko, Christine J. Dermatopathology Newark : John Wiley & Sons, Incorporated,c2022 9781119826057 327 $aCover -- Title Page -- Copyright Page -- Contents -- Preface -- Acknowledgments -- About the Companion Website -- Introduction -- Chapter 1 Shape on Low Power -- Epidermis -- Regular acanthosis -- Lobular proliferation -- Reticulated proliferation -- Central pore -- Epidermal perforation -- Dermis -- Circular islands -- Cords/tubules and comma shapes -- Space with a lining -- Papillations -- Polypoid (dome-shaped) -- Square/rectangular -- Palisading reactions -- Pseudoepitheliomatous hyperplasia above abscesses -- Pink ball, (see Chapter 6) -- Chapter 2 Gestalt: Rash/inflammatory -- Epidermal changes -- Parakeratosis -- Spongiosis -- Papulosquamous (psoriasiform) -- Interface (vacuolar) -- Interface (lichenoid) -- Inflammation: Specific patterns and cell type -- Epidermal eosinophils -- Perivascular -- Band-like dermal/papillary dermal infiltrate -- Diffuse/nodular -- Subcutaneous -- Chapter 3 Cell Type -- Melanocytic -- Spindle cells -- Pleomorphic cells -- Epithelioid vs spindle vs pleomorphic cells -- Endothelial -- Giant -- Clear -- Chapter 4 Top-Down -- Arthropods -- Hyperkeratosis/parakeratosis -- Upper epidermal change -- Acantholysis -- Subepidermal space/cleft -- Granular "material" in cells -- "Busy" dermis -- Dermal material -- Fat necrosis -- Chapter 5 Color - Blue -- Blue tumor -- Lymphocytes -- Mucin and glands or ducts -- Mucin -- Chapter 6 Color - Pink -- Pink ball of spindle cells -- Pink material -- Pink dermis -- Epidermal necrosis -- Chapter 7 Miscellaneous -- Alopecia -- Immunohistochemistry -- Index (Pattern) -- Index (Histological Category) -- Index (Alphabetical) -- EULA. 330 $a"Recognizing a disease process on a histopathologic slide becomes instantaneous, with increasing familiarity. Breaking this process down into the "how" is difficult, especially given that the steps may not be the same for each individual. Nonetheless, on a basic level, it is important to separate a solitary growth ("tumor" or "lesion") from a rash ("inflammatory" process, focus on the most obvious pathologic finding, and run through a differential diagnosis. With experience, that "obvious" pathologic finding (i.e., where to start) becomes second nature. The diseases in this atlas are grouped, arbitrarily, by such findings (see the Index by Pattern). Notably, basic algorithms are ultimately overly simplistic, and there is overlap of the two major divisions in Figure 1 (tumor versus rash). For example, clear cell acanthoma can architecturally mimic psoriasis, mycosis fungoides can appear to be a dermatitis, and epithelioid sarcoma can be confused with a palisading granulomatous process"--$cProvided by publisher. 606 $aSkin$xPermeability 608 $aAtlas 615 0$aSkin$xPermeability. 676 $a616.5075 700 $aKo$b Christine J.$0862765 702 $aBarr$b Ronald J$c(Dermatopathologist), 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910830352903321 996 $aDermatopathology$94064662 997 $aUNINA