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100   $a20150213h20142014  uy             0
101 0 $aeng
135   $aurnn#---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aLiveness on stage $eintermedial challenges in contemporary British theatre and performance /$fClaudia Georgi
210  1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2014.
210  4$dİ2014
215   $a1 online resource (282 p.)
225 1 $aCDE Studies,$x2194-9069 ;$vVolume 25
300   $aDescription based upon print version of record.
311 0 $a3-11-034654-0 
311 0 $a3-11-034590-0 
320   $aIncludes bibliographical references and indexes.
327   $tFront matter --$tContents --$tAcknowledgements --$tIntroduction --$t1 (Inter-)Mediality --$t2 Drama, Theatre and (Inter-)Mediality --$t3 Mediation, Mediatisation and Liveness --$t4 Liveness on Stage --$tConclusion --$tWorks Cited --$tIndex of Performances --$tGeneral Index
330   $aTheatre is traditionally considered a live medium but its 'liveness' can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality, Liveness on Stage explores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as 'ephemerality', 'co-presence', 'unpredictability', 'interaction' and 'realistic representation' and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.
410  0$aCDE studies ;$vVolume 25.
606   $aTheater$zGreat Britain$xHistory$y21st century
606   $aTheater$xTechnological innovations$zGreat Britain
606   $aExperimental theater$zGreat Britain
610   $aFilm and Video.
610   $aIntermediality.
610   $aTheatre and Performance.
610   $aTheatre.
615  0$aTheater$xHistory
615  0$aTheater$xTechnological innovations
615  0$aExperimental theater
676   $a792.0941/09051
686   $aHN 1274$2rvk
700   $aGeorgi$b Claudia$f1979-$01567266
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910787187003321
996   $aLiveness on stage$93838544
997   $aUNINA