LEADER 03506nam 2200613 450 001 9910787183403321 005 20200903223051.0 010 $a90-04-28094-4 024 7 $a10.1163/9789004280946 035 $a(CKB)3710000000239510 035 $a(EBL)1786643 035 $a(SSID)ssj0001333761 035 $a(PQKBManifestationID)11716233 035 $a(PQKBTitleCode)TC0001333761 035 $a(PQKBWorkID)11392107 035 $a(PQKB)11651371 035 $a(MiAaPQ)EBC1786643 035 $a(OCoLC)881721465 035 $a(nllekb)BRILL9789004280946 035 $a(Au-PeEL)EBL1786643 035 $a(CaPaEBR)ebr10930789 035 $a(CaONFJC)MIL644081 035 $a(OCoLC)892618597 035 $a(PPN)184923182 035 $a(EXLCZ)993710000000239510 100 $a20140926h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSee under: Shoah $eimagining the Holocaust with David Grossman /$fedited by Marc De Kesel, Bettine Siertsema, Katarzyna Szurmiak 210 1$aLeiden, Netherlands :$cBrill,$d2014. 210 4$dİ2014 215 $a1 online resource (217 p.) 225 1 $aBrill Reference Library of Judaism,$x1571-5000 ;$vVolume 41 300 $aDescription based upon print version of record. 311 $a1-322-12828-6 311 $a90-04-28095-2 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material --$tIntroduction /$rMarc De Kesel and Katarzyna Szurmiak --$tSummary of the Novel /$rJan Ceuppens --$t1 Quod Vide, or the Displacement of Meaning in the Narrative Construction of Love /$rDany Nobus --$t2 Guerrilla War with Words?The Language of Resistance to the Shoah /$rOlga Kaczmarek --$t3 Grossman?s White Room and Schulzian Empty Spaces /$rKatarzyna Szurmiak --$t4 The Laugh of a God Who Doesn?t Exist /$rMarc De Kesel --$t5 The Perpetrator /$rBettine Siertsema --$t6 Diasporic Remarks /$rDirk De Schutter --$t7 The Holocaust?s Muses?On Voices, Appropriation and Misappropriation in Grossman?s Novel and W.G. Sebald?s Prose Fiction /$rJan Ceuppens --$t8 The Novel Form and the Timing of the Nation /$rPieter Vermeulen --$t9 Torag, Dolgan, Ning, Gyoya, Orga: Diaspora under the Sign of Salmon /$rOrtwin de Graef --$t10 On Some Adornean Catchwords /$rErik Vogt --$tBibliography --$tIndex. 330 $aDid the first generation Holocaust writers not warn us against the risks of imagination? Does it not create an illusion that the unimaginable can be imagined, the unrepresentable represented? Clearly this warning has not been taken up by David Grossman. Fully embracing imagination?s power, his novel See under: Love offers a profound reflection on how the twenty-first century can assume the heritage of the Shoah and remember the ?unmemorable? in a proper way. The essays in this volume reflect on this one novel, though each from its own angle. Focusing on one single novel shows the surplus value of a multispectral reflection on one central problem, in this case the allegedly inconceivable and unspeakable nature of the Shoah. 410 0$aBrill reference library of Judaism ;$vVolume 41. 676 $a892.43/6 702 $aKesel$b Marc De 702 $aSiertsema$b Bettine 702 $aSzurmiak$b Katarzyna 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787183403321 996 $aSee under: Shoah$93838509 997 $aUNINA