LEADER 03363nam 2200649 450 001 9910787127903321 005 20200520144314.0 010 $a0-252-08034-3 010 $a0-252-09673-8 035 $a(CKB)3710000000280204 035 $a(MH)014273876-X 035 $a(SSID)ssj0001382473 035 $a(PQKBManifestationID)12494105 035 $a(PQKBTitleCode)TC0001382473 035 $a(PQKBWorkID)11455746 035 $a(PQKB)11726820 035 $a(StDuBDS)EDZ0001639872 035 $a(OCoLC)895260002 035 $a(MdBmJHUP)muse35782 035 $a(Au-PeEL)EBL3414457 035 $a(CaPaEBR)ebr11047740 035 $a(CaONFJC)MIL662280 035 $a(OCoLC)923499944 035 $a(MiAaPQ)EBC3414457 035 $a(EXLCZ)993710000000280204 100 $a20150507h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $anc$2rdacarrier 200 10$aClassic Hollywood $elifestyles and film styles of American cinema, 1930-1960 /$fVeronica Pravadelli ; translated by Michael Theodore Meadows 210 1$aUrbana, Illinois :$cUniversity of Illinois Press,$d2015. 210 4$dİ2015 215 $a1 online resource (viii, 226 pages ) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-322-30998-1 311 $a0-252-03877-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction: classical Hollywood cinema and film studies -- The early thirties: modernity, new women, and the aesthetic of attractions -- Normative desires and visual sobriety: apogee of the classical model -- The male subject of noir and the modern gaze -- (Dis)adventures of female desire in the 1940's woman's film -- Excess, spectacle, sensation: family melodrama in the 1950's -- Performative bodies and non-referential images: excesses of the musical. 330 8 $aStudies of 'Classic Hollywood' typically treat Hollywood films released from 1930 to 1960 as a single interpretive mass. Veronica Pravadelli complicates this idea. Focusing on dominant tendencies in box office hits and Oscar-recognized classics, she breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the 'Transition Era' and the traditional men and women of the conservative 1930's that replaced it to the fantastical Fifties movie musicals that arose after anti-classic genres like film noir and women's films. Pravadelli sets her analysis apart by paying particular attention to the gendered desires and identities exemplified in the films. 606 $aMotion pictures$zUnited States$xHistory$y20th century 606 $aMotion pictures$xProduction and direction$zUnited States$xHistory$y20th century 606 $aMotion pictures$zCalifornia$zLos Angeles$xHistory$y20th century 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xProduction and direction$xHistory 615 0$aMotion pictures$xHistory 676 $a791.430973 700 $aPravadelli$b Veronica$f1964-$01539797 702 $aMeadows$b Michael Theodore 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787127903321 996 $aClassic Hollywood$93790901 997 $aUNINA