LEADER 03216nam 2200661 450 001 9910787085903321 005 20200520144314.0 010 $a0-8047-9347-6 024 7 $a10.1515/9780804793476 035 $a(CKB)3710000000226827 035 $a(EBL)1775732 035 $a(OCoLC)923710635 035 $a(SSID)ssj0001334985 035 $a(PQKBManifestationID)12478252 035 $a(PQKBTitleCode)TC0001334985 035 $a(PQKBWorkID)11272270 035 $a(PQKB)11268613 035 $a(StDuBDS)EDZ0001132180 035 $a(DE-B1597)564825 035 $a(DE-B1597)9780804793476 035 $a(Au-PeEL)EBL1775732 035 $a(CaPaEBR)ebr10921928 035 $a(OCoLC)1224278018 035 $a(MiAaPQ)EBC1775732 035 $a(EXLCZ)993710000000226827 100 $a20140912h20152015 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aUnexpected alliances $eindependent filmmakers, the state, and the film industry in post-authoritarian South Korea /$fYoung-a Park 210 1$aStanford, California :$cStanford University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (222 p.) 300 $aDescription based upon print version of record. 311 $a0-8047-8361-6 320 $aIncludes bibliographical references, filmographies and index. 327 $aContents; Acknowledgments; Note to Readers; Acronyms; Introduction; Chapter 1. Film Activism: Cinema as Politics; Chapter 2. Independent Film: Cultural Production under Post authoritarian Conditions; Chapter 3. Beating Titanic: Independent Filmmakers at the Helm of Cultural Nationalism; Chapter 4. Transforming Activist Culture: Women Filmmakers and New Filmic Spaces; Chapter 5. Film Festival Fever: The Circulation of Independent Films; Epilogue: New Cultural Spaces, New Sensibilities; Notes; Bibliography; Selected Filmography; Index 330 $aSince 1999, South Korean films have dominated roughly 40 to 60 percent of the Korean domestic box-office, matching or even surpassing Hollywood films in popularity. Why is this, and how did it come about? In Unexpected Alliances, Young-a Park seeks to answer these questions by exploring the cultural and institutional roots of the Korean film industry's phenomenal success in the context of Korea's political transition in the late 1990's and early 2000's. The book investigates the unprecedented interplay between independent filmmakers, the state, and the mainstream film industry under 606 $aIndependent films$xPolitical aspects$zKorea (South) 606 $aIndependent filmmakers$zKorea (South) 606 $aMotion picture industry$zKorea (South) 606 $aPolitics and culture$zKorea (South) 615 0$aIndependent films$xPolitical aspects 615 0$aIndependent filmmakers 615 0$aMotion picture industry 615 0$aPolitics and culture 676 $a791.43095195 686 $aLC 95445$2rvk 700 $aPark$b Young-a$f1968-$01509525 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787085903321 996 $aUnexpected alliances$93741468 997 $aUNINA