LEADER 04115nam 2200637 450 001 9910787077003321 005 20191118111955.0 010 $a0-85772-411-8 010 $a0-7556-0415-6 010 $a0-85773-643-4 024 7 $a10.5040/9780755604159 035 $a(CKB)3710000000229373 035 $a(EBL)1775481 035 $a(SSID)ssj0001508425 035 $a(PQKBManifestationID)11945811 035 $a(PQKBTitleCode)TC0001508425 035 $a(PQKBWorkID)11503005 035 $a(PQKB)10771552 035 $a(MiAaPQ)EBC1775481 035 $a(CaBNVSL)mat55604159 035 $a(OCoLC)1128171746 035 $a(CaBNVSL)9780755604159 035 $a(Au-PeEL)EBL1775481 035 $a(OCoLC)890090238 035 $a(MiAaPQ)EBC4890475 035 $a(EXLCZ)993710000000229373 100 $a20191118h20192007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aJoseph Beuys $ethe reader /$fedited and translated by Claudia Mesch and Viola Michely ; with a foreword by Arthur C. Danto ; additional translation by Nickolas Decarlo, Kayvan Rouhani and Heidi Zimmerman 205 $aFirst edition. 210 1$aLondon [England] :$cI.B. Tauris & Co. Ltd,$d2007. 210 2$a[London, England] :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (467 p.) 300 $aDescription based upon print version of record. 311 $a1-84511-363-2 327 $aCover; Half-title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Foreword: Style and Salvation in the Art of Beuys; Editors' Introduction; I -- Beuys and his 'Challengers'; 1 -- Breaking the Silence: Joseph Beuys on his 'Challenger', Marcel Duchamp (1995); 2 -- Beuys, Haacke, Broodthaers (1988); 3 -- Beuys and Broodthaers: Dialectics of Modernity between 'Analytic Geometry and the Belief in an Unbelieving God' (2001); 4 -- Letters as Works of Art: Beuys and James Lee Byars (2000, excerpt); II -- Critics' Perspectives; 5 -- Beuys: The Twilight of the Idol (1980) 327 $a12 -- Institutionalizing Social Sculpture: Beuys' Office for Direct Democracy through Referendum Installation, 1972 (1997, excerpt)13. U?berblick Series on the Parliamentary Election (1983, excerpt); V -- Beuys and Postmodernism; 14 -- Performance: Joseph Beuys (1985, excerpt); 15 -- In the Shadow of Joseph Beuys: Remarks on the Subject of Art and Philosophy Today (1987); 16 -- Letter to Jean-Franc?ois Chevrier (1997, excerpt); 17 -- The Aesthetics of Post-History: A German Perspective (1995, excerpts); VI -- Issues of Reception 327 $a18 -- The Reception of Joseph Beuys in the USA, and Some of its Cultural/Political and Artistic Assumptions (1998, excerpt)19 -- Joseph Beuys and the GDR: The Individual as Political (1992); 20 -- Joseph Beuys and Surrealism (1997) Roundtable; Appendix: Key Dates and Exhibitions; Index 327 $a6 -- Discontinuous Notes on and after a Meeting of Critics, by One of the Artists Present (1981, excerpt)7 -- Joseph Beuys, or the Last of the Proletarians (1988); III -- Beuys and the Limits of Iconography; 8 -- Beuys and Romanticism (1986, excerpt); 9 -- No to... Joseph Beuys (1997); IV -- Beuys, Art and Politics; 10. 'Questions? You have Questions?' Joseph Beuys' Artistic Self-Presentation in Fat Transformation Piece/Four Blackboards, 1972 (1996); 11 -- Every Man an Artist: Talks at Documenta V by Joseph Beuys (1972, excerpt) 330 $aJoseph Beuys is one of the most legendary figures of 20th century art and his work and ideas continue to impact on artists today. This reader brings together the crucial texts on Beuys to look at the most contentious reception ever accorded a postwar artist. 606 $aArt & design styles: from c 1960$2bicssc 615 7$aArt & design styles: from c 1960 676 $a709.2 702 $aMesch$b Claudia 702 $aMichely$b Viola Maria 801 0$bOCLCE 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910787077003321 996 $aJoseph Beuys$9214182 997 $aUNINA