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100   $a20141030h20132013  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aMusic, longing and belonging $earticulations of the self and the other in the musical realm /$fedited by Magdalena Waligo?rska
210  1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2013.
210  4$dİ2013
215   $a1 online resource (234 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-4830-1 
320   $aIncludes bibliographical references at the end of each chapters.
327   $aTABLE OF CONTENTS; LIST OF ILLUSTRATIONS; LIST OF TABLES; ACKNOWLEDGEMENTS; INTRODUCTION; PART ONE - PERFORMING THE SELF, PERFORMING THE OTHER; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART TWO - MUSIC AND TRANSNATIONAL IDENTITIES; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; PART THREE - MUSIC, DIASPORA AND DISPLACEMENT; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; PART FOUR - MUSIC AND GENDERED IDENTITY; CHAPTER TEN; CHAPTER ELEVEN; ABOUT THE AUTHORS
330   $aWith contributions from musicologists, historians, sociologists, anthropologists and literary scholars, this book provides an interdisciplinary perspective on how different modes of musical sociability - ranging from opera performances to collective singing and internet fan communities - inspire ""imagined communities"" that not only transcend national borders, but also challenge the boundaries between the self and the other. While the relationship between music and nationhood has been widely r...
606   $aMusic$xSocial aspects
606   $aGroup identity
606   $aMusicians$xSocial networks
606   $aMusic fans$xSocial networks
606   $aMusic and transnationalism
615  0$aMusic$xSocial aspects.
615  0$aGroup identity.
615  0$aMusicians$xSocial networks.
615  0$aMusic fans$xSocial networks.
615  0$aMusic and transnationalism.
676   $a780.07
702   $aWaligo?rska$b Magdalena
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910787016703321
996   $aMusic, longing and belonging$93769915
997   $aUNINA