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100   $a20141030h20152015  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aRoland Hayes $ethe legacy of an American tenor /$fChristopher A. Brooks and Robert Sims
210  1$aBloomington, Indiana :$cIndiana University Press,$d2015.
210  4$dİ2015
215   $a1 online resource (424 p.)
300   $aDescription based upon print version of record.
311   $a0-253-01536-7 
320   $aIncludes bibliographical references and index.
327   $aA new Jerusalem (1887-1911) -- Roland's world in Boston (1911-1920) -- Roland rules Britannia (1920-1921) -- "Le rage de Paris" (1921-1922) -- "You're tired, Chile" -- The Hayes conquest (1923-1924) -- Roland and the Countess (1924-1926) -- The conquest slows (1926-1930) -- "Hard trials, great tribulations" (1930-1935) -- Return to Europe (1936-1942) -- Rome, Georgia -- "I can tell the world!" (1942-1950) -- Struggles in remaining relevant (1950-1959) -- "I wanna go home" (1960-1977) -- Epilogue : the Hayes legacy.
330   $aPerforming in a country rife with racism and segregation, the tenor Roland Hayes was the first African American man to reach international fame as a concert performer and one of the few artists who could sell out Town Hall, Carnegie Hall, Symphony Hall, and Covent Garden. His trailblazing career carved the way for a host of African American artists, including Marian Anderson and Paul Robeson. Performing the African American spirituals he was raised on, Hayes's voice was marked with a unique sonority which easily navigated French, German, and Italian art songs. A multiculturalist both on and of
606   $aTenors (Singers)$zUnited States$vBiography
615  0$aTenors (Singers)
676   $a782.42168092
700   $aBrooks$b Christopher Antonio$f1957-$01533233
702   $aSims$b Robert$c(Baritone),
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906   $aBOOK
912   $a9910787004703321
996   $aRoland Hayes$93780037
997   $aUNINA