LEADER 04045nam 22007452 450 001 9910786998403321 005 20151005020622.0 010 $a1-107-35816-7 010 $a1-107-23856-0 010 $a1-107-34944-3 010 $a1-107-34229-5 010 $a1-107-34854-4 010 $a1-107-34604-5 010 $a1-139-79546-5 035 $a(CKB)2670000000356631 035 $a(EBL)1139752 035 $a(SSID)ssj0000877401 035 $a(PQKBManifestationID)11489538 035 $a(PQKBTitleCode)TC0000877401 035 $a(PQKBWorkID)10922926 035 $a(PQKB)11655193 035 $a(UkCbUP)CR9781139795463 035 $a(MiAaPQ)EBC1139752 035 $a(Au-PeEL)EBL1139752 035 $a(CaPaEBR)ebr10740499 035 $a(CaONFJC)MIL508567 035 $a(OCoLC)852152402 035 $a(EXLCZ)992670000000356631 100 $a20120928d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProducing women's poetry, 1600-1730 $etext and paratext, manuscript and print /$fGillian Wright, University of Birmingham$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (x, 274 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-56677-0 311 $a1-107-03792-1 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- The resources of manuscript: Anne Southwell, readership and literary property -- The material muse: Anne Bradstreet in manuscript and print -- The extraordinary Katherine Philips -- The anxieties of agency: compilation, publicity and judgement in Anne Finch's poetry -- Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach -- Conclusion: producing women's poetry. 330 $aProducing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their verse was enabled and shaped by their textual and biographical circumstances. She combines traditional literary and bibliographical approaches to address women's complex use of manuscript and print and their relationships with the male-generated genres of the traditional literary canon, as well as the role of agents such as scribes, publishers and editors in helping to determine how women's poetry was preserved, circulated and remembered. Wright focuses on key figures in the emerging canon of early modern women's writing, Anne Bradstreet, Katherine Philips and Anne Finch, alongside the work of lesser-known poets Anne Southwell and Mary Monck, to create a new and compelling account of early modern women's literary history. 606 $aEnglish poetry$yEarly modern, 1500-1700$xHistory and criticism 606 $aEnglish poetry$y18th century$xHistory and criticism 606 $aEnglish poetry$xWomen authors$xHistory and criticism 606 $aWomen and literature$zEngland$xHistory$y17th century 606 $aWomen and literature$zEngland$xHistory$y18th century 606 $aPoetry$xPublishing$zGreat Britain$xHistory$y17th century 606 $aPoetry$xPublishing$zGreat Britain$xHistory$y18th century 615 0$aEnglish poetry$xHistory and criticism. 615 0$aEnglish poetry$xHistory and criticism. 615 0$aEnglish poetry$xWomen authors$xHistory and criticism. 615 0$aWomen and literature$xHistory 615 0$aWomen and literature$xHistory 615 0$aPoetry$xPublishing$xHistory 615 0$aPoetry$xPublishing$xHistory 676 $a821.009/9287 700 $aWright$b Gillian$f1969-$0763272 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910786998403321 996 $aProducing women's poetry, 1600-1730$91548364 997 $aUNINA