LEADER 03590nam 2200649 a 450 001 9910786946103321 005 20200520144314.0 010 $a0-7735-8866-3 024 7 $a10.1515/9780773588660 035 $a(CKB)2670000000387452 035 $a(EBL)3332613 035 $a(SSID)ssj0001107191 035 $a(PQKBManifestationID)11601987 035 $a(PQKBTitleCode)TC0001107191 035 $a(PQKBWorkID)11075159 035 $a(PQKB)11074091 035 $a(CEL)444738 035 $a(OCoLC)1088176668$z(OCoLC)838761109$z(OCoLC)923238958$z(OCoLC)973029699$z(OCoLC)973175399$z(OCoLC)979149073 035 $a(CaBNVSL)slc00232970 035 $a(Au-PeEL)EBL3332613 035 $a(CaPaEBR)ebr10728387 035 $a(CaONFJC)MIL502081 035 $a(OCoLC)923238958 035 $a(DE-B1597)654595 035 $a(DE-B1597)9780773588660 035 $a(VaAlCD)20.500.12592/vts79d 035 $a(MiAaPQ)EBC3332613 035 $a(EXLCZ)992670000000387452 100 $a20130716d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDramaturgy of sound in the avant-garde and postdramatic theatre$b[electronic resource] /$fMladen Ovadija 210 $aMontreal $cMcGill-Queen's University Press$d2013 215 $a1 online resource (261 p.) 311 $a1-299-70830-7 311 $a0-7735-4173-X 320 $aIncludes bibliographical references and index. 327 $aThe Performativity of Voice and Sound in Theatre -- Avant-garde and Postmodern Conceptions of Aurality -- Sound Poetry and Bruitist Performance: Words-in-Freedom -- Zaum : From a "Beyonsense" Language to an Idiom of Theatre -- The Dramaturgy of Sound: From Futurist Serate to Sintesi -- Sound as Structure: Toward an Aural Architecture of Theatre -- The Avant-garde Dramaturgy of Sound. 330 $aSound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer?s voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works. 606 $aTheaters$xSound effects 606 $aExperimental theater$xHistory and criticism 606 $aAvant-garde (Aesthetics) 615 0$aTheaters$xSound effects. 615 0$aExperimental theater$xHistory and criticism. 615 0$aAvant-garde (Aesthetics) 676 $a792.024 700 $aOvadija$b Mladen$01491500 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786946103321 996 $aDramaturgy of sound in the avant-garde and postdramatic theatre$93713318 997 $aUNINA