LEADER 02151nam 2200565Ia 450 001 9910786878203321 005 20200520144314.0 010 $a0-8108-8489-5 035 $a(CKB)2670000000358236 035 $a(EBL)1203884 035 $a(SSID)ssj0000876873 035 $a(PQKBManifestationID)11501326 035 $a(PQKBTitleCode)TC0000876873 035 $a(PQKBWorkID)10905009 035 $a(PQKB)11084399 035 $a(MiAaPQ)EBC1203884 035 $a(Au-PeEL)EBL1203884 035 $a(CaPaEBR)ebr10694590 035 $a(CaONFJC)MIL486644 035 $a(OCoLC)844230326 035 $a(EXLCZ)992670000000358236 100 $a20111102d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAfrican American folksong and American cultural politics$b[electronic resource] $ethe Lawrence Gellert story /$fBruce M. Conforth 210 $aLanham, MD $cScarecrow Press$d2013 215 $a1 online resource (298 p.) 225 0 $aAmerican folk music and musicians series ;$vno. 19 300 $aDescription based upon print version of record. 311 $a0-8108-8488-7 320 $aIncludes bibliographical references and index. 330 $aIn African American Folksong and American Cultural Politics: The Lawrence Gellert Story, scholar and musician Bruce Conforth tells the story of one of the most unusual collections of African American folk music ever amassed-and the remarkable story of the man who produced it: Lawrence Gellert. 410 0$aAmerican Folk Music and Musicians Series 606 $aAfrican Americans$xMusic$xHistory and criticism 606 $aFolk music$zUnited States$xHistory$y20th century 615 0$aAfrican Americans$xMusic$xHistory and criticism. 615 0$aFolk music$xHistory 676 $a782.42162 676 $a782.4216296073 700 $aConforth$b Bruce M.$f1950-$01532419 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786878203321 996 $aAfrican American folksong and American cultural politics$93778561 997 $aUNINA