LEADER 03468oam 2200673I 450 001 9910786830703321 005 20230808211311.0 010 $a1-4724-0123-9 010 $a1-317-01020-5 010 $a1-317-01021-3 010 $a1-315-55096-2 010 $a1-4094-4302-7 024 7 $a10.4324/9781315550961 035 $a(CKB)2670000000388345 035 $a(EBL)1250106 035 $a(SSID)ssj0000916448 035 $a(PQKBManifestationID)12468709 035 $a(PQKBTitleCode)TC0000916448 035 $a(PQKBWorkID)10875433 035 $a(PQKB)11234769 035 $a(MiAaPQ)EBC1250106 035 $a(MiAaPQ)EBC4425611 035 $a(MiAaPQ)EBC4427082 035 $a(Au-PeEL)EBL4425611 035 $a(CaPaEBR)ebr11489359 035 $a(OCoLC)958550597 035 $a(OCoLC)958106911 035 $a(Au-PeEL)EBL4427082 035 $a(OCoLC)1162244048 035 $a(FINmELB)ELB139251 035 $a(EXLCZ)992670000000388345 100 $a20180706e20162013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTime matter(s) $einvention and re-imagination in built conservation : the unfinished drawing and building of St. Peter's, the Vatican /$fFederica Goffi 210 1$aAbingdon, Oxon :$cRoutledge,$d2016. 215 $a1 online resource (286 p.) 300 $aFirst published 2013 by Ashgate Publishing. 311 $a1-4094-4301-9 320 $aIncludes bibliographical references and index. 327 $aPrologue. Notes on the ontology of remaking mnemic buildings -- Day 1. Introduction to a micro-historical study of the renovation of St. Peter's Basilica in the Vatican (1506-1626) -- Day 2. Architecture's twinned body: building and drawing -- Day 3. 'Hallowed configuration'. The mediating role of architectural representation in built conservation -- Day 4. Stratigraphic drawings and the drawings of members. Assembling the exquisite corpse -- Day 5. Restoring the corporate body. Heteroglossia versus unity of style -- Day 6. Framing the icon. Skin-deep conservation versus the imagination of built conservation -- Day 7. Time matter(s). The sempiternal nature of built conservation -- Conclusion. The role of ambiguity and the unfinished in defining built conservation. 330 $aThis book fills in a blind spot in current architectural theory and practice, looking into a notion of conservation as a form of invention and imagination, offering the reader a counter-viewpoint to a predominant western understanding that preservation should be a 'still shot' from the past. Through a micro-historical study of a Renaissance concept of restoration, this book provides a theoretical framework to question the issue of conservation as a possible creative endeavour, when a mnemic building is concerned, entailing conservation of memory within changes. It focuses on Tiberio Alfarano's 606 $aArchitectural design$zItaly$xHistory 606 $aArchitecture$xConservation and restoration$zItaly$xHistory 607 $aVatican City$xBuildings, structures, etc 615 0$aArchitectural design$xHistory. 615 0$aArchitecture$xConservation and restoration$xHistory. 676 $a726.509456/34 700 $aGoffi$b Federica.$01470369 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786830703321 996 $aTime matter(s)$93682143 997 $aUNINA