LEADER 03501oam 2200673I 450 001 9910786822203321 005 20230617024205.0 010 $a1-134-69517-9 010 $a0-203-75478-6 010 $a1-134-69510-1 024 7 $a10.4324/9780203754788 035 $a(CKB)3710000000106233 035 $a(EBL)1683579 035 $a(SSID)ssj0001195339 035 $a(PQKBManifestationID)11670190 035 $a(PQKBTitleCode)TC0001195339 035 $a(PQKBWorkID)11161589 035 $a(PQKB)11373690 035 $a(MiAaPQ)EBC1683579 035 $a(Au-PeEL)EBL1683579 035 $a(CaPaEBR)ebr10870214 035 $a(CaONFJC)MIL603005 035 $a(OCoLC)879074582 035 $a(OCoLC)879429262 035 $a(FINmELB)ELB131733 035 $a(EXLCZ)993710000000106233 100 $a20180706d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDramatic monologue /$fGlennis Byron 210 1$aLondon ;$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (176 p.) 225 1 $aNew Critical Idiom 300 $aDescription based upon print version of record. 311 $a0-415-22937-5 311 $a0-415-22936-7 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Contents; SERIES EDITOR'S PREFACE; ACKNOWLEDGEMENTS; 1 Introduction; 2 Definitions; Setting the terms of the debate; Poet and speaker; Reader and auditor; Character and subject; Changes in the canon; 3 Origins; The influence of genre theory; Reacting to the Romantics; Contemporary theories of poetry; Self in the broader context; An alternative theory; 4 Men and women; Women's voices; The critique of gender ideology; Men's voices; The gendered dynamics of self and other; Cross-gendered monologues; The monologue in dialogue; 5 Victorian developments 327 $aThe question of styleThe historical consciousness; Questions of epistemology; Social critique; 6 Modernism and its aftermath; The decline of the genre?; An alternative view; Sixties revival; 7 Contemporary dramatic monologues; The dramatic monologue and society; Revisionist dramatic monologues; Dramatic monologues and the media; GLOSSARY; BIBLIOGRAPHY; INDEX 330 $aThe dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monologue remains popular to this day. This far-reaching and neatly structured volume:* explores the origins of the monologue and presents a history of definitions of the term* considers the monologue as a form of social critique* explores issues at play in our understanding of the genr 410 0$aNew critical idiom. 606 $aEnglish poetry$xHistory and criticism 606 $aDramatic monologues$xHistory and criticism 606 $aAmerican poetry$xHistory and criticism 615 0$aEnglish poetry$xHistory and criticism. 615 0$aDramatic monologues$xHistory and criticism. 615 0$aAmerican poetry$xHistory and criticism. 676 $a821/.02 700 $aByron$b Glennis$f1955-,$0290505 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786822203321 996 $aDramatic monologue$93741345 997 $aUNINA