LEADER 03892nam 2200697 450 001 9910786811503321 005 20230803204455.0 010 $a0-8135-6466-2 024 7 $a10.36019/9780813564661 035 $a(CKB)3710000000224982 035 $a(EBL)1773436 035 $a(SSID)ssj0001334296 035 $a(PQKBManifestationID)11753524 035 $a(PQKBTitleCode)TC0001334296 035 $a(PQKBWorkID)11406159 035 $a(PQKB)11663590 035 $a(MiAaPQ)EBC1773436 035 $a(OCoLC)889644715 035 $a(MdBmJHUP)muse34749 035 $a(DE-B1597)530275 035 $a(DE-B1597)9780813564661 035 $a(Au-PeEL)EBL1773436 035 $a(CaPaEBR)ebr10915965 035 $a(CaONFJC)MIL639833 035 $a(EXLCZ)993710000000224982 100 $a20140905h20142014 uy p 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAmerican hybrid poetics $egender, mass culture, and form /$fAmy Moorman Robbins 210 1$aNew Brunswick, New Jersey :$cRutgers University Press,$d2014. 210 4$dİ2014 215 $a1 online resource (187 p.) 225 0 $aThe American Literatures Initiative 300 $aIncludes index. 311 0 $a1-322-08582-X 311 0 $a0-8135-6465-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Gertrude Stein's Blood on the Dining-Room Floor: Hybrid Poetics in Modernist/Mass Culture --$t2. Laura Mullen's Murmur: Crime Fiction, Cruel Optimism, and a Hybrid Poetics of Affect --$t3. Alice Notley's Disobedience: The Postmodern Subject, Paranoia, and a New Poetics of Noir --$t4. Harryette Mullen's Poetics in Prose: A Return to the Modernist Hybrid --$t5. Claudia Rankine's Don't Let Me Be Lonely: A Lyrical Long Poem in a Post-Language Age --$tNotes --$tIndex --$tAbout the author 330 $aAmerican Hybrid Poetics explores the ways in which hybrid poetics-a playful mixing of disparate formal and aesthetic strategies-have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets-Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine-use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions-consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness-these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles. 606 $aAmerican poetry$xWomen authors$xHistory and criticism 606 $aPoetics 606 $aAesthetics in literature 606 $aCultural fusion in literature 606 $aWomen and literature$zUnited States 615 0$aAmerican poetry$xWomen authors$xHistory and criticism. 615 0$aPoetics. 615 0$aAesthetics in literature. 615 0$aCultural fusion in literature. 615 0$aWomen and literature 676 $a811.009/9287 700 $aRobbins$b Amy Moorman$f1970-$01486344 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786811503321 996 $aAmerican hybrid poetics$93705785 997 $aUNINA