LEADER 01347nam--2200433---450- 001 990000421020203316 005 20050713082357.0 010 $a0-19-282760-X 035 $a0042102 035 $aUSA010042102 035 $a(ALEPH)000042102USA01 035 $a0042102 100 $a20010502d1990----km-y0itay0103----ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aPride and prejudice$fJane Austen$gedited by James Kinsley$gwith a new introduction by Isobel Armstrong$gnotes by Frank W. Bradbrook 210 $aOxford$cOxford university press$d1990 215 $aXXXVIII, 351 p.$d19 cm 225 2 $aWorld's classics 410 $12001$aWorld's classics 461 1$1001-------$12001 676 $a823.7 700 1$aAUSTEN,$bJane$0131233 702 1$aARMSTRONG,$bIsobel 702 1$aBRADBROOK,$bFrank W. 702 1$aKINSLEY,$bJames 801 0$aIT$bsalbc$gISBD 912 $a990000421020203316 951 $aVII.3.A. 1480(II i A 991)$b124533 LM$cII i A 951 $aVII.3.A. 1480a(II i A 991 bis)$b124534 LM$cII i A 959 $aBK 969 $aUMA 979 $aPATTY$b90$c20010502$lUSA01$h1111 979 $c20020403$lUSA01$h1650 979 $aPATRY$b90$c20040406$lUSA01$h1629 979 $aCOPAT3$b90$c20050713$lUSA01$h0823 996 $aPride and prejudice$913149 997 $aUNISA LEADER 03581nam 2200565 450 001 9910786756503321 005 20230116232010.0 010 $a1-4438-6565-6 035 $a(CKB)3710000000218147 035 $a(EBL)1765217 035 $a(SSID)ssj0001289841 035 $a(PQKBManifestationID)12475872 035 $a(PQKBTitleCode)TC0001289841 035 $a(PQKBWorkID)11233584 035 $a(PQKB)10092976 035 $a(MiAaPQ)EBC1765217 035 $a(Au-PeEL)EBL1765217 035 $a(CaPaEBR)ebr10909461 035 $a(CaONFJC)MIL636943 035 $a(OCoLC)887507895 035 $a(EXLCZ)993710000000218147 100 $a20140828h20132013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aText in contemporary theatre $ethe Baltics within the world experience /$fedited by Guna Zeltina with Sanita Reinsone ; contributors Alexey Bartoshevich [and nineteen others] 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2013. 210 4$dİ2013 215 $a1 online resource (216 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-4325-3 327 $aTABLE OF CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; ACKNOWLEDGEMENTS; EDITOR''S INTRODUCTION - TEXT IN CONTEMPORARY THEATRE; PART I - TRADITIONAL TEXTS IN CONTEMPORARY THEATRE; CHAPTER ONE - THE RUSSIAN HAMLETS; CHAPTER TWO - HAMLET; CHAPTER THREE - DIALECTICS BETWEEN CLASSICAL TEXTS AND THEIR STAGING IN CONTEMPORARY LATVIAN THEATRE; CHAPTER FOUR - IVAN GONCHAROV''S OBLOMOV, DIRECTED BY ALVIS HERMANIS; CHAPTER FIVE - TEXT AND CONTEXT; CHAPTER SEVEN - OBSERVATIONS ON THE USES OF TEXT IN THE CHINESE CONTEMPORARY THEATRE; CHAPTER EIGHT - AT THE CROSSROADS OF TEXTS 327 $aPART II - NEW PLAYS AND PLAYWRIGHTS CHAPTER ONE - NEW SWEDISH PLAYS; CHAPTER TWO - ""PLAYWRIGHTS ARE TAKING TO THE STREETS ...""; CHAPTER THREE - TRANSFORMATION OF COLONIAL NARRATIVES IN POSTCOLONIAL DRAMA AND THEATRE IN THE BALTICS; CHAPTER FOUR - FROM COLLECTIVE TO INDIVIDUAL AND BACK AGAIN; CHAPTER FIVE - THE DRAMA-CENTRIC TRADITION AND NEW TEXT STRATEGIES IN CONTEMPORARY LITHUANIAN THEATRE; PART III - REALITY AND TEXT IN THE POST AND POST-POSTDRAMATIC THEATRE; CHAPTER ONE - REAL REALITY ON STAGE?; CHAPTER TWO - THE BIRTH OF NEW AUTHORSHIP IN CONTEMPORARY ESTONIAN THEATRE 327 $aCHAPTER THREE - POST-DRAMATIC TEXTUAL STRATEGIES CHAPTER FOUR - PERFORMING METAPHORS; CHAPTER FIVE - POSTDRAMATIC TEXTS IN ESTONIAN, GERMAN AND BRITISH THEATRE; CHAPTER SIX - POSTDRAMATIC THEATRE IN A TIME OF SOCIAL AND CULTURAL CHANGE IN IRELAND; CONTRIBUTORS 330 $aThis collection of articles is devoted to the relationship between text and performance in contemporary theatre. In this volume, nineteen theatre and drama researchers from the Baltic countries, Sweden, Finland, Ireland, Hungary, Russia and China discuss the results of their research into these issues in academic articles and essays. The book mainly focuses on the experience of the Baltics in the creation of theatrical texts, but it also provides a wider insight into the changing processes of... 606 $aTheater$zBaltic States 615 0$aTheater 676 $a792.09485 702 $aZeltin?a$b Guna 702 $aReinsone$b Sanita 702 $aBartoshevich$b A. V$g(Aleksei? Vadimovich), 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786756503321 996 $aText in contemporary theatre$93713947 997 $aUNINA