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100   $a20140829h20142014  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDancing bodies of devotion $efluid gestures in Bharata natyam /$fKatherine C. Zubko
210  1$aLanham, Maryland ;$aPlymouth, England :$cLexington Books,$d2014.
210  4$dİ2014
215   $a1 online resource (271 p.)
225 1 $aStudies in Body and Religion
300   $aDescription based upon print version of record.
311   $a1-322-06446-6 
311   $a0-7391-8728-7 
320   $aIncludes bibliographical references and index.
327   $aContents; List of Illustrations; List of Abbreviations; Note on Transliteration; Acknowledgments; Introduction; PART I. RELIGIOUS BODIES; Chapter 1. Rasa: A Taste of the Divine; Chapter 2. Balasaraswati and Krishna Ni Begane Baro; Chapter 3. Francis Barboza and Christian Themes; Part I Conclusion. Bhakti Rasa: A Re -Personalized Aesthetic of Devotion; PART II. CULTURAL BODIES; Chapter 4. Rasa and Bhakti as Indian Categories; Chapter 5. Dhananjayans' Sang?hamitra?; Chapter 6. Kalai Kaviri's Ga?yatri? Mantra; Part II Conclusion. Is There an Indian Way to Dance Devotion?; PART III. ETHICAL BODIES
327   $aChapter 7. Na?ty?a as Visual Education and the Ethics of RasaChapter 8. Dhananjayans' Stree (Woman); Chapter 9. Monica Cooley's Morality Tales and Bhagavad Gi?ta? S?abdam; Part III Conclusion. An Ethics of Bhakti Rasa: Performance of a Moral Mood; PART IV. PLURALISTIC BODIES; Chapter 10. Unity and Multiplicity of Rasa; Chapter 11. Malini Srinivasan and Sufi Qawwa?li; Chapter 12. Tehreema Mitha and Ratt Jaga (The Vigil); Part IV Conclusion. Revisiting "Unity in Diversity"; Conclusion. Toward a Poetics of Mediation; Glossary; Illustrated Glossary of Gestures; References; Index; About the Author
330   $a<span><span>This ethnography examines how contemporary dancers of Bharata Natyam, a traditionally Hindu storytelling dance form, embody Buddhist, Muslim, Christian and Jain narratives. These dancers choreographically adapt various religious identities and ideas in order to emphasize pluralistic cultural and ethical dimensions in their work. Through the dancing body, multiple religious and secular interpretations are able to co-exist.</span></span>
410  0$aStudies in body and religion.
606   $aBharata natyam
606   $aDance$xReligious aspects
615  0$aBharata natyam.
615  0$aDance$xReligious aspects.
676   $a793.3/1954
700   $aZubko$b Katherine C.$0952907
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910786752003321
996   $aDancing bodies of devotion$93713905
997   $aUNINA