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200 14$aThe meaning of Korean prosodic boundary tones /$fMee-Jeong Park
210  1$aBoston, Massachusetts :$cGlobal Oriental,$d[2013]
210  4$dİ2013
215   $a1 online resource (310 p.)
225 1 $aThe languages of asia series ;$vvolume 10
300   $aDescription based upon print version of record.
311   $a1-322-22389-0 
311   $a90-04-24357-7 
320   $aIncludes bibliographical references.
327   $aPreliminary material -- Introduction -- Theoretical Background -- Data and Methodology -- Monotonal Group: H% and L% -- Bitonal Group: HL% and LH% -- Multitonal Group -- Conclusion -- Appendix -- References.
330   $aThis book marks the first attempt to rationalise the meaning of Korean intonation, especially its boundary tones. Unlike other languages where various pragmatic and discourse meanings are delivered through the types of pitch accent (prominent pitch movement on stressed syllable) and the types of phrase-final boundary tones, Korean delivers the pragmatic/discourse meaning mainly by the types of phrase-final boundary tones. This is possible because Korean has at least nine boundary tones while other languages have two (or, even four or five if the boundary tone of a smaller phrase are included). Various examples are given that illustrate this three-way relationship, id est, a specific meaning delivered by a certain type of boundary tone and a certain type of morphological marker in natural conversation.
410  0$aLanguages of Asia series ;$vv. 10.
606   $aKorean language$xIntonation
615  0$aKorean language$xIntonation.
676   $a495.716
700   $aPark$b Mee-Jeong$0741585
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910786734803321
996   $aThe meaning of Korean prosodic boundary tones$93672172
997   $aUNINA