LEADER 04311nam 2200625 450 001 9910786650703321 005 20200520144314.0 010 $a0-231-85025-5 024 7 $a10.7312/khat16336 035 $a(CKB)3710000000137459 035 $a(EBL)946275 035 $a(SSID)ssj0001330385 035 $a(PQKBManifestationID)11878680 035 $a(PQKBTitleCode)TC0001330385 035 $a(PQKBWorkID)11328484 035 $a(PQKB)10350723 035 $a(StDuBDS)EDZ0000340843 035 $a(DE-B1597)459001 035 $a(OCoLC)979683336 035 $a(DE-B1597)9780231850254 035 $a(Au-PeEL)EBL946275 035 $a(CaPaEBR)ebr10889364 035 $a(CaONFJC)MIL685169 035 $a(OCoLC)881566704 035 $a(MiAaPQ)EBC946275 035 $a(EXLCZ)993710000000137459 100 $a20140719h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aStorytelling in world cinemas$hVolume 2 $econtexts /$fedited by Lina Khatib 210 1$aNew York, New York :$cWallflower Press Book,$d2013. 210 4$d©2013 215 $a1 online resource (209 p.) 300 $aDescription based upon print version of record. 311 $a0-231-16337-1 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tAcknowledgements --$tContributors --$tIntroduction To Volume Two /$rKhatib, Lina --$tStorytelling and Cultural Politics --$tstories as social critique: the Vision of china in the Films of Jia Zhangke /$rNg, Konrad --$tTaonga (cultural treasures): reflections on Maori storytelling in the cinema of Aotearoa/new Zealand /$rJoyce, Hester --$tThe Minjung Cultural Movement and Korean Cinema of the 1980s: The Influence of Minjung theatre and Art in Lee Jang-ho's Films /$rLee, Nam --$tOn How to Tell a Revolution: Alsino y el Cóndor /$rDash, Robert / Varas, Patricia --$tStorytelling and Postcolonialism --$tTelling Stories About Unknown People in Faraway Countries: us Travelogues About Mexico in the 1930S and 1940S /$rArredondo, Isabel --$tMemory And Tradition as a Postcolonial Response in the Films of Kyrgyzstan'S Aktan Abdykalykov /$rMullins, Willow --$t'Postcolonial Beaux' Stratagem: Singing and Dancing Back with Carmen in African Films /$rBeus, Yifen T. --$tTelling Women'S Stories --$tHeard/Symbolic Voices: The Nouba of the Women of Mont Chenoua and Women'S Film in the Maghreb /$rSalhi, Zahia Smail --$tWomen'S Stories and Public Space in Iranian new Wave Film /$rDempsey, Anna M. --$tCinematic Images of Women at a Time of National(Ist) Crisis: The Case of Three Yugoslav Films /$rJelaca, Dijana --$tHistory as Science Fiction: Women of Action in Hong Kong Cinema /$rVojkovic, Sa?a --$tStorytelling and Religio-Cultural Encounters --$tClouds Of Unknowing: Buddhism and Bhutanese Cinema /$rChaudhuri, Shohini / Clayton, Sue --$tClaiming Space, Time and History in the Journals of Knud Rasmussen /$rVarga, Darrell --$tQissa and Popular Hindi Cinema /$rRoy, Anjali Gera --$tIndex 330 $aStorytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories. Like its sister volume, Storytelling in World Cinemas, Vol. 1: Forms, this book is an innovative addition to the academic study of world cinemas. 606 $aMotion pictures$xPlots, themes, etc 606 $aMotion pictures$xHistory 615 0$aMotion pictures$xPlots, themes, etc. 615 0$aMotion pictures$xHistory. 676 $a791.4301 700 $aKhatib$b Lina, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01180876 702 $aKhatib$b Lina 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786650703321 996 $aStorytelling in world cinemas$93818875 997 $aUNINA