LEADER 02171nam 2200577 450 001 9910786635003321 005 20230803203650.0 010 $a1-4214-1431-7 035 $a(CKB)3710000000187361 035 $a(EBL)3318835 035 $a(SSID)ssj0001267496 035 $a(PQKBManifestationID)11740398 035 $a(PQKBTitleCode)TC0001267496 035 $a(PQKBWorkID)11256202 035 $a(PQKB)11608961 035 $a(MiAaPQ)EBC3318835 035 $a(OCoLC)884280109 035 $a(MdBmJHUP)muse37302 035 $a(Au-PeEL)EBL3318835 035 $a(CaPaEBR)ebr10895004 035 $a(EXLCZ)993710000000187361 100 $a20140723h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAll joking aside $eAmerican humor and its discontents /$fRebecca Krefting 210 1$aBaltimore, Maryland :$cJohns Hopkins University Press,$d2014. 210 4$dİ2014 215 $a1 online resource (361 p.) 300 $aIncludes index. 311 $a1-4214-1430-9 311 $a1-4214-1429-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction: American humor and its discontents -- Making connections: building cultural citizenship through charged humor -- Twentieth-century stand-up: a history of charged humor -- Laughing into the new millennium -- When women perform charged humor: the (gendered) politics of consumption -- Robin Tyler: still 'working the crowd' -- Micia Mosely: humor out of the mouths of babes -- Hari Kondabolu: performing in the age of modern-day minstrelsy -- Conclusion: How to avoid the last laugh. 606 $aStand-up comedy$zUnited States 606 $aComedy$xHistory and criticism 606 $aParticipatory theater 615 0$aStand-up comedy 615 0$aComedy$xHistory and criticism. 615 0$aParticipatory theater. 676 $a792.7/60973 700 $aKrefting$b Rebecca$f1978-$01555893 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786635003321 996 $aAll joking aside$93818209 997 $aUNINA