LEADER 04563nam 2200613Ia 450 001 9910786573003321 005 20200520144314.0 010 $a1-283-85476-7 010 $a90-04-23224-9 024 7 $a10.1163/9789004232242 035 $a(CKB)2670000000309453 035 $a(EBL)1081573 035 $a(OCoLC)820029025 035 $a(SSID)ssj0000785009 035 $a(PQKBManifestationID)11428841 035 $a(PQKBTitleCode)TC0000785009 035 $a(PQKBWorkID)10783105 035 $a(PQKB)10655660 035 $a(MiAaPQ)EBC1081573 035 $a(nllekb)BRILL9789004232242 035 $a(Au-PeEL)EBL1081573 035 $a(CaPaEBR)ebr10631684 035 $a(CaONFJC)MIL416726 035 $a(PPN)17454667X 035 $a(EXLCZ)992670000000309453 100 $a20120718d2012 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt 182 $cc 183 $acr 200 00$aMary Magdalene, Iconographic Studies from the Middle Ages to the Baroque$b[electronic resource] /$fedited by Michelle A. Erhardt and Amy M. Morris 210 $aLeiden ;$aBoston $cBrill$d2012 215 $a1 online resource (489 p.) 225 0 $aStudies in religion and the arts ;$v7 300 $aTitle from PDF title page (viewed on Dec. 3, 2012). 311 $a90-04-23195-1 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material -- $tIntroduction /$rMichelle Erhardt and Amy Morris -- $t1 The Magdalene as Mirror: Trecento Franciscan Imagery in the Guidalotti-Rinuccini Chapel, Florence /$rMichelle A. Erhardt -- $t2 Mary Magdalene and Her Dear Sister: Innovation in the Late Medieval Mural Cycle of Santa Maddalena in Rencio (Bolzano) /$rJoanne W. Anderson -- $t3 The German Iconography of the Saint Magdalene Altarpiece: Documenting Its Context /$rAmy M. Morris -- $t4 The Printed Penitent: Magdalene Imagery and Prostitution Reform in Early Modern Italian Chapbooks and Broadsheets /$rRachel Geschwind -- $t5 Tintoretto?s Holy Hermits at the Scuola Grande di San Rocco /$rElizabeth Carroll Consavari -- $t6 Irony and Realism in the Iconography of Caravaggio?s Penitent Magdalene /$rPatrick Hunt -- $t7 The Gaze in the Garden: Mary Magdalene in Noli me tangere /$rBarbara Baert -- $t8 Michelangelo?s Noli me tangere for Vittoria Colonna, and the Changing Status of Women in Renaissance Italy /$rLisa M. Rafanelli -- $t9 Woman, Why Weepest Thou? Rembrandt?s 1638 Noli me tangere as a Dutch Calvinist Visual Typology /$rBobbi Dykema -- $t10 The Magdalene and ?Madame?: Piety, Politics, and Personal Agenda in Louise of Savoy?s Vie de la Magdalene /$rBarbara J. Johnston -- $t11 Mary Magdalene Between Public Cult and Personal Devotion in Correggio?s Noli me tangere /$rMargaret A. Morse -- $t12 Reflections on a Glass Madeleine Pénitente /$rJane Eade -- $t13 Exorcism in the Iconography of Mary Magdalene /$rAndrea Begel -- $t14 ?Woman, Why Weepest Thou?? Mary Magdalene, the Virgin Mary and the Transformative Power of Holy Tears in Late Medieval Devotional Painting /$rVibeke Olson -- $t15 Mary Magdalene and the Iconography of Domesticity /$rAnnette LeZotte -- $t16 Marketing Mary Magdalene in Early Modern Northern European Prints and Paintings /$rMichelle Moseley-Christian -- $tBibliography -- $tIndex. 330 $aMary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene?s character in art and, in essence, the reinvention of her iconography from one generation to the next. 410 0$aStudies in Religion and the Arts$v7. 606 $aSaints 615 0$aSaints. 676 $a704.9/4863 676 $a704.94863 701 $aErhardt$b Michelle A$01513104 701 $aMorris$b Amy M$01513105 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786573003321 996 $aMary Magdalene, Iconographic Studies from the Middle Ages to the Baroque$93747349 997 $aUNINA