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100   $a20180706e20162014  uy             0
101 0 $aeng
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181   $ctxt
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183   $acr
200 10$aElinor Glyn as novelist, moviemaker, glamour icon and businesswoman /$fVincent L. Barnett, Alexis Weedon
210  1$aLondon :$cRoutledge,$d2016.
215   $a1 online resource (247 p.)
300   $aFirst published 2014 by Ashgate Publishing.
311   $a1-4724-2182-5 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; List of Figures and Tables; Acknowledgments; Introduction; 1 Becoming a Writer: Glyn's Early British Career; 2 Transatlantic Girl: Publishing in America; 3 Hollywood Star: Negotiating the Rights to Film Adaptations; 4 Three Weeks: Novel, Play and Film; 5 Contracts in Conflict: The Royalties Received from Glyn's Films; 6 It: Novella, Film and Clara Bow; 7 Back to Britain: Glyn in the 1930's; Conclusion; Appendix 1: Bibliography of Elinor Glyn's Published Works; Appendix 2: Films Made from Elinor Glyn's Stories, 1914-1930; Appendix 3: The Prospects for UK Film Production
327   $aAppendix 4: On Filmic Storytelling: Elinor Glyn Bibliography; Index
330   $aExamining the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Vincent L. Barnett and Alexis Weedon trace Glyn's work as a novelist in the United Kingdom, her success in Hollywood as an adaptor, her relationships with important figures in the Hollywood studio system and her reworking of her stories as plays and movies. Informed by extensive archival work, their book will appeal to historians of film, culture, publishing and business.
606   $aAuthors$vBiography
615  0$aAuthors
676   $a823/.912
700   $aBarnett$b Vincent L.$0257267
701   $aWeedon$b Alexis$0937443
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910786560503321
996   $aElinor Glyn as novelist, moviemaker, glamour icon and businesswoman$93774455
997   $aUNINA