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010   $a1-78319-621-1
024 7 $a10.5040/9781350209763.00000003
024 8 $a221201
035   $a(CKB)3710000000123840
035   $a(EBL)1672367
035   $a(MiAaPQ)EBC1672367
035   $a(Au-PeEL)EBL1672367
035   $a(OCoLC)881165182
035   $a(OCoLC)1054035087
035   $a(UkLoBP)CDCBOB9781350209763
035   $a(EXLCZ)993710000000123840
100   $a20210131d2014      uy             d
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe open house /$fWill Eno
210  1$aLondon :$cOberon Books :$cBloomsbury Publishing,$d2014.
215   $a1 online resource (107 p.)
225 1 $aOberon modern plays
300   $aDescription based upon print version of record.
311   $a1-78319-122-8 
327   $aCover; Half-title Page; Title Page; Copyright; Contents; Characters; The Open House
330   $aPeople have been born into families since people started getting born at all. Playwrights have been trying to write Family Plays for a long time, too. And typically these plays try to answer endlessly complicated questions of blood and duty and inheritance and responsibility. They try to answer the question, "Can things really change?" People have been trying nobly for years and years to have plays solve in two hours what hasn't been solved in many lifetimes. This has to stop. The Open House is an hour and twenty minutes, with no intermission.
410  0$aOberon modern plays.
606   $aDysfunctional families$vDrama
606   $aDysfunctional families$2fast$3(OCoLC)fst01728523
606   $aDrama & Performance Studies
606   $aPlays, playscripts$2bic
608   $aDrama.$2fast
608   $aDrama.$2lcgft
615  0$aDysfunctional families
615  7$aDysfunctional families.
615  4$aDrama & Performance Studies.
615  7$aPlays, playscripts.
676   $a822.92
700   $aEno$b Will$f1965-$01109972
801  0$bUkLoBP
801  1$bUkLoBP
906   $aBOOK
912   $a9910786546503321
996   $aThe open house$92892946
997   $aUNINA