LEADER 01012nam0-22003851i-450 001 990000681850403321 005 20230109124135.0 035 $a000068185 035 $aFED01000068185 035 $a(Aleph)000068185FED01 100 $a20020821d1978----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa-------001yy 200 1 $aBorromini$fGiulio Carlo Argan 210 $aMilano$cA. Mondadori$d1978 215 $a127 p.$cill.$d18 cm 225 1 $aOscar saggi 610 0 $aBorromini, Francesco 676 $a720.945$v23$zita 700 1$aArgan,$bGiulio Carlo$f<1909-1992>$02148 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000681850403321 952 $aMONNA 76$bMONNA 80$fFARBC 952 $a01 DA 5068$b04543$fDINST 952 $a541011$fDCATA 952 $a12.096$b6960$fDARST 952 $aLEPORE 23$b23/2021$fFARBC 959 $aFARBC 959 $aDINST 959 $aDCATA 959 $aDARST 996 $aBorromini$9292914 997 $aUNINA LEADER 02572nam 2200529 450 001 9910786531903321 005 20230803035015.0 010 $a1-4081-1652-9 010 $a1-4742-6102-7 010 $a1-4081-4968-0 035 $a(CKB)3710000000128603 035 $a(EBL)1715656 035 $a(MiAaPQ)EBC1715656 035 $a(Au-PeEL)EBL1715656 035 $a(CaPaEBR)ebr10883873 035 $a(CaONFJC)MIL618578 035 $a(OCoLC)881607271 035 $a(MiAaPQ)EBC6163038 035 $a(EXLCZ)993710000000128603 100 $a20140626e20132004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aSinging and the actor /$fGillyanne Kayes 205 $aSecond edition. 210 1$aLondon, England ;$aNew York, New York :$cBloomsbury Methuen Drama,$d2013. 210 4$dİ2004 215 $a1 online resource (209 p.) 300 $aIncludes indexes. 311 $a1-306-87327-4 311 $a0-7136-6823-7 327 $aCover; Contents; Acknowledgements; Foreword; Section 1: HOW THE VOICE WORKS; 1 How do I make the notes?; 2 My voice won''t come out at auditions; 3 But I thought I wasn''t supposed to feel anything!; 4 What exactly is support?; Section 2: TRAINING YOUR VOICE; 5 Developing the three octave siren; 6 The nasal port; 7 Dynamic control and projection; 8 Tuning the oral resonator; 9 Twang, the singer''s formant; Section 3: WORKING THE TEXT; 10 Putting it together; 11 Singing the text; 12 Creating voice qualities; 13 The act of singing; Afterword; Glossary; A; B; C; F; G; H; I; L; M; N; O; P; R; S 327 $aVList of exercises and song assignments; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Index of song titles 330 $a

Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice?

Now in its second edition, this practical handbook takes the reader through a step-by-step training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic.

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