LEADER 03741nam 2200613 450 001 9910786525903321 005 20230803203127.0 010 $a94-012-1070-5 024 7 $a10.1163/9789401210706 035 $a(CKB)3710000000130137 035 $a(EBL)1686945 035 $a(SSID)ssj0001339660 035 $a(PQKBManifestationID)11951551 035 $a(PQKBTitleCode)TC0001339660 035 $a(PQKBWorkID)11355359 035 $a(PQKB)10394318 035 $a(MiAaPQ)EBC1686945 035 $a(OCoLC)881568340$z(OCoLC)961643937$z(OCoLC)962623081$z(OCoLC)994402126 035 $a(nllekb)BRILL9789401210706 035 $a(Au-PeEL)EBL1686945 035 $a(CaPaEBR)ebr10883083 035 $a(CaONFJC)MIL811831 035 $a(OCoLC)881568340 035 $a(EXLCZ)993710000000130137 100 $a20140624h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCognitive iconology $ewhen and how psychology explains images /$fIan Verstegen 210 1$aAmsterdam, Netherlands ;$aNew York, New York :$cEditions Rodopi,$d2014. 210 4$dİ2014 215 $a1 online resource (188 p.) 225 1 $aConsciousness Literature & the Arts,$x1573-2193 ;$v37 300 $aDescription based upon print version of record. 311 $a90-420-3824-1 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Preface -- Toward a Cognitive Iconology -- Cognitive Iconology: Understanding versus Explanation -- Fiction and Transcription: Two Ecologies of Perception -- A Classification of Perspective ?Corrections? in Images -- Presence over Perspective: Portraits-in-Pictures -- Oblique Images from the Side and Below -- Acting Irrational around Art -- Cognitive Proclivities for the Study of Art -- Bibliography -- Index. 330 $aCognitive Iconology is a new theory of the relation of psychology to art. Instead of being an application of psychological principles, it is a methodologically aware account of psychology, art and the nature of explanation. Rather than fight over biology or culture, it shows how they must fit together. The term ?cognitive iconology? is meant to mirror other disciplines like cognitive poetics and musicology but the fear that images must be somehow transparent to understanding is calmed by the stratified approach to explanation that is outlined. In the book, cognitive iconology is a theory of cognitive tendencies that contribute to but are not determinative of an artistic meaning. At the center of the book are three case studies: images depicted within images, basic corrections to architectural renderings in images, and murals and paintings seen from the side. In all cases, there is a primitive perceptual pull that contribute to but do not override larger cultural meaning. The book then moves beyond the confines of the image to behavior around the image, and then ends with the concluding question of why some images are harder to understand than others. Cognitive Iconology promises to be important because it moves beyond the turf battles typically fought in image studies. It argues for a sustainable practice of interpretation that can live with other disciplines. 410 0$aConsciousness, literature & the arts ;$v37. 606 $aArts$xPsychological aspects 606 $aPsychology and art$vCongresses 615 0$aArts$xPsychological aspects. 615 0$aPsychology and art 676 $a700.19 700 $aVerstegen$b Ian$0918830 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786525903321 996 $aCognitive iconology$93839475 997 $aUNINA