LEADER 03593nam 2200625 a 450 001 9910786523603321 005 20210111141750.0 010 $a0-8223-9935-0 024 7 $a10.1515/9780822399353 035 $a(CKB)3710000000133398 035 $a(OCoLC)891395128 035 $a(CaPaEBR)ebrary10887944 035 $a(SSID)ssj0001265865 035 $a(PQKBManifestationID)12534003 035 $a(PQKBTitleCode)TC0001265865 035 $a(PQKBWorkID)11249767 035 $a(PQKB)10710686 035 $a(MiAaPQ)EBC3007884 035 $a(DE-B1597)552876 035 $a(DE-B1597)9780822399353 035 $a(OCoLC)1229161780 035 $a(EXLCZ)993710000000133398 100 $a20150424d1997|||| s|| | 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWet : On Painting, Feminism, and Art Culture$b[electronic resource] 210 $aDurham, NC, USA$cDuke University Press$d19970401 210 $cDuke University Press 215 $a1 online resource (281 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8223-1910-1 327 $tFrontmatter -- $tContents -- $tPreface -- $tI MASCULINITY -- $tII FEMININITY AND FEMINISM -- $tIII TEACHING -- $tIV PAINTING -- $tV -- $tAfterword: Painting and Language/ Painting Language -- $tNotes -- $tBibliography -- $tAcknowledgments -- $tIndex 330 $aTaking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor?s writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor?s own progress as a critic.Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor?s most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism?s fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle?s depiction of women, Wet is a fascinating and informative collection.Complemented by over twenty illustrations, the essays in Wet reveal Schor?s remarkable ability to see and to make others see art in a radically new light. 606 $aART$2bisac 606 $aCriticism & Theory$2bisac 606 $aFeminism and art$zUnited States 606 $aVisual Arts$2HILCC 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aVisual Arts - General$2HILCC 615 7$aART 615 7$aCriticism & Theory 615 0$aFeminism and art 615 7$aVisual Arts 615 7$aArt, Architecture & Applied Arts 615 7$aVisual Arts - General 676 $a704/.042/0973 700 $aSchor$b Mira$01518393 801 0$bPQKB 906 $aBOOK 912 $a9910786523603321 996 $aWet : On Painting, Feminism, and Art Culture$93839452 997 $aUNINA