LEADER 03752nam 2200637 450 001 9910786511403321 005 20230803204259.0 010 $a94-012-1094-2 024 7 $a10.1163/9789401210942 035 $a(CKB)3710000000221423 035 $a(EBL)1696763 035 $a(SSID)ssj0001349976 035 $a(PQKBManifestationID)11765116 035 $a(PQKBTitleCode)TC0001349976 035 $a(PQKBWorkID)11287058 035 $a(PQKB)10689933 035 $a(MiAaPQ)EBC1696763 035 $a(OCoLC)887498668 035 $a(nllekb)BRILL9789401210942 035 $a(Au-PeEL)EBL1696763 035 $a(CaPaEBR)ebr10907837 035 $a(CaONFJC)MIL637662 035 $a(EXLCZ)993710000000221423 100 $a20140820h20142014 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt 182 $cc 183 $acr 200 10$aFluxus $ethe practice of non-duality /$fNatasha Lushetich ; cover design by Aart Jan Bergshoeff 210 1$aAmsterdam, Netherlands ;$aNew York :$cRodopi,$d2014. 210 4$dİ2014 215 $a1 online resource (283 p.) 225 1 $aConsciousness, Literature & the Arts,$x1573-2193 ;$v41 300 $aDescription based upon print version of record. 311 $a90-420-3851-9 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Introduction -- Language -- Temporality -- The Sensorium -- Social Rites and Rituals -- Systems of Economic Exchange -- Conclusion: The Logic of Fluxing -- Bibliography -- Index. 330 $aFocusing on the most definition-resistant art movement in history and departing from its two chief characteristics: intermediality and interactivity, this book develops an original theory of practice, the experiential philosophy of non-duality, which is the philosophy of dynamic co-constitutivity. This is done by tracing the performativity of intermedial works ? works that fall conceptually between the art and the life media, such as Bengt af Klintbergs?s event score : ?Eat an orange as if it were an apple? ? in five key areas of human experience: language, temporality, the sensorium, social rites and rituals, and systems of economic exchange. The main argument, woven with the aid of the Derridian blind tactics, the Gramscian production of social life and the Zen-derived interexpression of Kitaro Nishida, is that the practical philosophy of co-constitutivity arises from the logic of the intermedium. In pursuing this argument, the book does three things: (1) it theorises an oeuvre that has remained under-theorised due to its fundamentally non-discursive nature and in doing so reinstates Fluxus as an influential cultural, rather than a ?merely? artistic paradigm; (2) it serves as a companion to thinking by doing since most Fluxus intermedia are ready-mades, and, as such, readily available in the everyday environment; and (3) it establishes the counter-hegemonic logic of fluxing while tracing its legacy in contemporary practices as diverse as the culture-jamming activism of The Yes Men, the paradoxical performance work of Song Dong and the pervasive game worlds of Blast Theory. 410 0$aConsciousness, literature & the arts ;$v41. 606 $aFluxus (Group of artists)$vExhibitions 606 $aArt, Modern$y20th century$vExhibitions 606 $aPostmodernism 615 0$aFluxus (Group of artists) 615 0$aArt, Modern 615 0$aPostmodernism. 676 $a709.0460747423 700 $aLushetich$b Natasha$01527685 702 $aBergshoeff$b Aart Jan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786511403321 996 $aFluxus$93824459 997 $aUNINA