LEADER 00618nam0 22002531i 450 001 990007289770403321 005 20191113155335.0 035 $a000728977 035 $aFED01000728977 035 $a(Aleph)000728977FED01 035 $a000728977 100 $a20021010f19-019-9km-y0itay50------ba 101 0 $aita 200 1 $aInflazione$fBruno Jossa 210 $a[s.l.$cs.n.]$d[19??] 700 1$aJossa,$bBruno$033282 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007289770403321 952 $aXV M 140$fDTE 959 $aDTE 996 $aInflazione$9696260 997 $aUNINA DB $aGEN01 LEADER 01677nam 2200373 450 001 9910140305803321 005 20231020224053.0 010 $a1-4799-1125-9 035 $a(CKB)2670000000528116 035 $a(NjHacI)992670000000528116 035 $a(EXLCZ)992670000000528116 100 $a20231020d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIndustrial Electronics and Applications (ISIEA), 2013 IEEE Symposium on$hPart 111$iOverhead, Pad-Mounted, Dry Vault, and Submersible Automatic Circuit Reclosers and Fault Interrupters for Alternating Current Systems up to 38 kV /$fInstitute of Electrical and Electronics Engineers 210 1$aPiscataway, NJ :$cIEEE,$d2013. 215 $a1 online resource (331 pages) 311 $a1-4799-1123-2 311 $a1-4799-1124-0 330 $aThe symposium covers the areas of industrial electronics and industrial applications in general, that include areas of electronics engineering and its applications, computer engineering and applications, processing, mechatronics, instrumentation, measurement, and their applications in the humanities & commercial. 517 $a2013 IEEE Symposium on Industrial Electronics & Applications 517 $aIndustrial Electronics and Applications 606 $aSignal processing$vCongresses 615 0$aSignal processing 676 $a621.3822 801 0$bNjHacI 801 1$bNjHacl 906 $aPROCEEDING 912 $a9910140305803321 996 $aIndustrial Electronics and Applications (ISIEA), 2013 IEEE Symposium on$92526502 997 $aUNINA LEADER 03471nam 2200793Ia 450 001 9910786500703321 005 20200520144314.0 010 $a0-262-30503-8 010 $a1-283-74161-X 010 $a0-262-30595-X 035 $a(CKB)2670000000276776 035 $a(EBL)3339539 035 $a(SSID)ssj0000759871 035 $a(PQKBManifestationID)11418574 035 $a(PQKBTitleCode)TC0000759871 035 $a(PQKBWorkID)10810832 035 $a(PQKB)10195091 035 $a(MiAaPQ)EBC3339539 035 $a(OCoLC)821645716$z(OCoLC)818734334$z(OCoLC)820120964$z(OCoLC)822031346$z(OCoLC)961613818$z(OCoLC)975244827$z(OCoLC)975291535$z(OCoLC)988450623$z(OCoLC)992020649$z(OCoLC)1004392451 035 $a(OCoLC-P)821645716 035 $a(MaCbMITP)9460 035 $a(Au-PeEL)EBL3339539 035 $a(CaPaEBR)ebr10626206 035 $a(CaONFJC)MIL405411 035 $a(OCoLC)821645716 035 $a(BIP)039414112 035 $a(EXLCZ)992670000000276776 100 $a20120426d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe psychophysical ear$b[electronic resource] $emusical experiments, experimental sounds, 1840-1910 /$fAlexandra Hui 210 $aCambridge, Mass. $cMIT Press$dc2013 215 $a1 online resource (257 p.) 225 1 $aTransformations : studies in the history of science and technology 300 $aDescription based upon print version of record. 311 $a0-262-01838-1 320 $aIncludes bibliographical references and index. 327 $aTransformations: Studies in the History of Science and Technology; Contents; Acknowledgments; Introduction; 1 Gustav Fechner, the Day View, and the Origins of Psychophysics; 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann; 3 Sound Materialized and Music Reconciled: Hermann Helmholtz; 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke 327 $a5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the FieldCoda; Appendix; Notes; References; Index 330 $aAn examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. 410 0$aTransformations (M.I.T. Press) 606 $aPsychoacoustics$xHistory$y19th century 606 $aPsychoacoustics$xHistory$y20th century 606 $aSound$xExperiments$xHistory$y19th century 606 $aSound$xExperiments$xHistory$y20th century 606 $aAvant-garde (Music)$xHistory$y19th century 606 $aAvant-garde (Music)$xHistory$y20th century 610 $aPsychoacoustics 610 $aSound 610 $aAvant-Garde (Music) 610 $aScience 615 0$aPsychoacoustics$xHistory 615 0$aPsychoacoustics$xHistory 615 0$aSound$xExperiments$xHistory 615 0$aSound$xExperiments$xHistory 615 0$aAvant-garde (Music)$xHistory 615 0$aAvant-garde (Music)$xHistory 676 $a612.8/54 700 $aHui$b Alexandra$f1980-$01492290 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786500703321 996 $aThe psychophysical ear$93714700 997 $aUNINA